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Worlds Translucent
Leonard V. Ball, Jr. composer
Michael Heald violin
Timothy Lovelace piano
Maggie Snyder viola
In his first album with Ravello Records, composer Leonard V. Ball, Jr. presents WORLDS TRANSLUCENT, a collection of works completed across the span of nearly a decade that capture the joys, fears, and fascinations of everyday life. The album, which features music for violin, viola, and piano, deals with the gravity of human mortality alongside the simple amusements of domestic life that counterbalance it.
WORLDS TRANSLUCENT begins with Night Visions, a series of three movements – Ball prefers to call them “visions.” The first movement sets the pace for the album with an explosion of frantic 16th notes on the violin, joined by the interjection of the piano. The second “vision” stands in contrast to the first; its deep silences and long string lines seem to drip into the expanse of time. The next movement regains its ecstatic energy, with violin and piano responding to one another. The Forest (f)or the Trees is a series of musical memorials to Ball’s loved ones. The second movement, “Requiem I (for cw),” expresses bittersweet beauty through dissonant violin strains. In this work’s two “dance” movements, individual characters from Ball’s own life are personified. Vignettes du Jour breaks the tension with a degree of levity inspired by the scurry of backyard critters and the adventures of a wily housecat. The string lines often erupt into pursuit of one another, clambering up scales only to fall back down. Lastly, within ~ without is an exploration of life’s duality, pairing sparse silences with strident viola strains and concluding with a rousing and definitive finale.
WORLDS TRANSLUCENT is all at once an eloquent consideration of existential fears as well as a salubrious jaunt infused with palpable joie de vivre. Ball’s compositions, in all their cerebral gravitas and levity, make an excellent musical companion through the hills and valleys of life.
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Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Night Visions: I. | Leonard V. Ball, Jr. | Michael Heald, violin; Timothy Lovelace, piano | 6:08 |
02 | Night Visions: II. | Leonard V. Ball, Jr. | Michael Heald, violin; Timothy Lovelace, piano | 5:28 |
03 | Night Visions: III. | Leonard V. Ball, Jr. | Michael Heald, violin; Timothy Lovelace, piano | 7:42 |
04 | The Forest (f)or the Trees: I. The Breeze, ah, the Fickle Breeze [For JGB and LVB] | Leonard V. Ball, Jr. | Michael Heald, violin | 3:59 |
05 | The Forest (f)or the Trees: II. Requiem I [For CW] | Leonard V. Ball, Jr. | Michael Heald, violin | 3:53 |
06 | The Forest (f)or the Trees: III. Dance I [For HM] | Leonard V. Ball, Jr. | Michael Heald, violin | 3:11 |
07 | The Forest (f)or the Trees: IV. Requiem II [For KFM] | Leonard V. Ball, Jr. | Michael Heald, violin | 3:33 |
08 | The Forest (f)or the Trees: V. Dance II [For DE and TE] | Leonard V. Ball, Jr. | Michael Heald, violin | 2:37 |
09 | Vignettes du Jour: I. Early Morning Quiet | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 2:17 |
10 | Vignettes du Jour: II. The Sun Rises (Another Day) | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 1:51 |
11 | Vignettes du Jour: III. The Cat, She Stalks | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 2:51 |
12 | Vignettes du Jour: IV. Can't We All Get Along? | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 1:49 |
13 | Vignettes du Jour: V. What the Blue Jays Might Have Said | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 3:10 |
14 | Vignettes du Jour: VI. Caution, Squirrels at Work!! | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 1:35 |
15 | Vignettes du Jour: VII. Night Falls | Leonard V. Ball, Jr. | Michael Heald, violin; Maggie Snyder, viola | 2:48 |
16 | Within ~ Without: I. | Leonard V. Ball, Jr. | Maggie Snyder, viola; Timothy Lovelace, piano | 7:05 |
17 | Within ~ Without: II. | Leonard V. Ball, Jr. | Maggie Snyder, viola; Timothy Lovelace, piano | 6:58 |
Night Visions
Recorded May 22-23, 2018 in Hodgson Hall, the University of Georgia, Athens GA
Session Producers: Tim Redpath and Rachel Calaminus
Session engineered, edited, and mixed by Tim Redpath (Horizon Music Production)
The Forest (f)or the Trees
Recorded May 24, 2018 in Hodgson Hall, the University of Georgia, Athens GA
Session Producers: Tim Redpath and Rachel Calaminus
Session engineered, edited, and mixed by Tim Redpath (Horizon Music Production)
Vignettes du Jour
Recorded May 23-24, 2018 in Hodgson Hall, the University of Georgia, Athens GA
Session Producers: Tim Redpath and Rachel Calaminus
Session engineered, edited, and mixed by Tim Redpath (Horizon Music Production)
within ~ without
Recorded May 22, 2018 in Hodgson Hall, the University of Georgia, Athens GA
Session Producers: Tim Redpath and Rachel Calaminus
Session engineered, edited, and mixed by Tim Redpath (Horizon Music Production)
Executive Producer Bob Lord
Executive A&R Sam Renshaw
A&R Director Brandon MacNeil
VP, Audio Production Jeff LeRoy
Audio Director Lucas Paquette
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Patrick Niland, Sara Warner
Artist Information
Leonard V. Ball, Jr.
Leonard V. Ball, Jr. was Associate Professor Emeritus of Composition and Theory at the University of Georgia, where he taught music theory, acoustic composition, electronic composition, and music technology. While at UGA, he was also Director of the University of Georgia electronic studio from 1987 to 1995; Director of the Roger and Phyllis Dancz Center for New Music Electronic Studios from 1995 to 2001; Director of the Roger and Phyllis Dancz Center for New Music from 2002 to June 2015; and Chair of the Composition/Theory area from 2010 to June 2015.
Maggie Snyder
Violist Maggie Snyder has performed solo recitals, chamber music, concertos, and as an orchestral musician throughout the United States and abroad. She has performed at the Kennedy Center, Carnegie Hall, and the Seoul Arts Center, and in Mexico, Greece, Korea, and Russia. She has performed under the batons of James Levine, Yuri Temirkanov, David Zinman, Robert Spano, Leonard Slatkin, James DePreist, Julius Rudel, James Conlon, and Michael Tilson Thomas, and at such festivals as the Brevard Music Festival, the Sewanee Summer Music Festival, and the Aspen Music Festival, where she was a Time Warner Fellow. In May 2009, she made her recital debut in Weill Recital Hall at Carnegie Hall with her sister duo, Allemagnetti. The recital featured three world premiere works written for the ensemble by Thomas Pasatieri, Kamran Ince, and Garrett Byrnes, and the duo was hailed as a “winning pair,” with a “highly promising debut,” by The New York Concert Review.
Michael Heald
Michael Heald, currently Associate Professor of Violin at the Hugh Hodgson School of Music, University of Georgia, studied violin in London with Emanuel Hurwitz, then at the Royal Northern College of Music with Richard Deakin. He received his masters and doctorate in violin performance at Michigan State University, studying with Walter Verdehr. He began his performing career in England, where he was a member of the English String Orchestra for three years, recording with Nimbus, and played regularly with the City of Birmingham Symphony Orchestra under Sir Simon Rattle, recording major repertoire for EMI. Other musical experiences included playing with the BBC Philharmonic Orchestra, the Royal Liverpool Philharmonic Orchestra, and the Philharmonia Orchestra. In Michigan, he was concertmaster of both the Greater Lansing Symphony Orchestra and the Jackson Symphony Orchestra, and principal second violin of the Michigan Chamber Orchestra. As a member of the American Sinfonietta for five years, Michael performed close to one hundred concerts across Europe, appearing as assistant concertmaster on one of the tours. The orchestra was also in residence each summer at the Bellingham Music Festival in Washington. He has also been a guest concertmaster for the Shreveport Symphony Orchestra.
Timothy Lovelace
Pianist Timothy Lovelace heads the Collaborative Piano program at the University of Minnesota and is an active recitalist, having been featured at Rio de Janeiro’s Sala Cecilia Meireles, Carnegie’s Weill Recital Hall, Washington’s Kennedy Center, New York’s Merkin Concert Hall, Chicago’s Dame Myra Hess Memorial Concerts, and on chamber music series sponsored by the symphony orchestras of Chicago, Cincinnati, Detroit, Minnesota and the Saint Paul Chamber Orchestra. As a soloist, he has performed with the Minnesota Orchestra conducted by Osmo Vänskä. The roster of internationally-known artists with whom Lovelace has appeared includes Miriam Fried, Nobuko Imai, Robert Mann, Charles Neidich, Paquito D’Rivera, and Dawn Upshaw. For thirteen years, he was a staff pianist at the Ravinia Festival’s Steans Institute, where he played in the classes of Barbara Bonney, Christoph Eschenbach, Thomas Hampson, Christa Ludwig, and Yo-Yo Ma, among others. A proponent of new music, Lovelace has performed the works of many living composers, and he has presented premieres of works by John Harbison, Osvaldo Golijov, and Libby Larsen. He has recorded for the Albany, Arabesque, Blue Griffin, Boston Records, MSR, and Naxos labels. His principal teachers were Harold Evans, Gilbert Kalish, Donna Loewy, and Frank Weinstock.
Tim Redpath
Tim Redpath, founder of Horizon Music Production and a highly respected clarinetist and saxophonist, has been at the forefront of contemporary chamber music for almost thirty years. He has performed and collaborated with some of the most exciting and eclectic musicians around. These include Apollo Saxophone Quartet, Trifarious Ensemble, London Saxophonic (touring and recording extensively with Michael Nyman and Moondog (Louis Hardin)), Moondog Big Band, Andy Scott’s Sax Assault & Bob Mintzer, Barbara Thompson, Joanna Macgregor, Django Bates, and Iain Ballamy. He has broadcast extensively on BBC television, BBC Radio 2, 3 & 4, Classic FM and has featured on over twenty CD albums. He has been guest principal clarinet and saxophonist with many of the UK’s leading orchestras including Opera North, BBC Philharmonic, Hallé, BBC Scottish, RTE, and Philharmonia. As founder member and soprano saxophonist with the highly acclaimed Apollo Saxophone Quartet for 23 years (1985 – 2008), Tim has amassed a large collection of awards including winner of the Tokyo International Chamber Music Competition (plus the Lufthansa Outstanding Performance Award), Countess of Munster Trust, Royal Overseas League, and the Tunnell Trust. In his role at Horizon Music Production, he has produced and engineered albums for leading labels including Sony BMG, Naxos, Sanctuary Classics, Black Box, Signum, and Classic FM.
Rachel Calaminus
From the London Mozart Players to Don Weller, throughout her extensive performing career Rachel Calaminus has demonstrated her ability to perform in all music genres. In great demand as both violin and viola player, she leads a busy performing schedule and works with many of the UK’s leading orchestras and ensembles including the Royal Philharmonic Orchestra and Royal Ballet Sinfonia. She has been featured on countless recordings spanning the whole musical spectrum including classical, jazz, world, and popular music. Rachel is a founder member of the Trifarious Ensemble
Notes
Written for Michael Heald, Maggie Snyder, the late Liana Embovica, and Timothy Lovelace, the works in this collection were completed over an eight-year period. Contemporary events, human relationships, long-held fears, and everyday life-experiences fueled the creative process, as did the dedication, enthusiasm, talent, and musicianship that the above performers brought to every rehearsal and performance. No words can adequately express my gratitude.
– Leonard V. Ball, Jr.