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Places in Time
Richard Brooks composer
Richard Brooks’ PLACES IN TIME travels through the acclaimed composer’s personal history with each piece representing a different period in the composer’s life. Many of these recordings were originally released by Brooks’ label, Capstone Records. Each piece gains new life as Brooks and Ravello Records team up to share this fascinating work in tonality, soundscapes, and emotional sway with a new generation of music lovers.
Opening with Seascape: Overture to Moby Dick from 1997’s AND THE EAGLE FLIES, a grand yet suspenseful soundscape, the piece rises and swells with the droning low brass and tense tremolo strings, as if waiting for the emergence of the great white whale. Choral Variations for Two Horns and String Orchestra, from 1995’s TONUS TOMIS, is one in a collection of pieces recorded in Constanta, an ancient city on the shore of the Black Sea in Romania. This piece is a complex, theoretical, and emotional traverse through the realm of tonality, where the mood is described as “almost anguished in its search for resolution.”
Prelude and Lament from 1986’s MUSIC VISIONS demonstrates both academic and raw elements of Brooks’ compositions. Prelude and Lament is a powerful example of his work in twelve-tone composition, a method devised by Arnold Schoenberg wherein each note in the chromatic scale is given equal emphasis. The track takes on a heavy, emotional tone in the Lament in response to a personal tragedy: the death of Brooks’ younger brother in a traffic accident before the completion of the work.
PLACES IN TIME offers a fresh, remastered look at this acclaimed composer. With each track comes a revived sense of purpose and the genius behind it. In bringing the tracks from the analog world into the realm of digital music, Brooks and Ravello have assembled a collection of compositions that inspires through its musical complexity and moments of raw intensity and sensitivity.
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Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Seascape "Overture to Moby Dick" | Richard Brooks | Polish Radio National Orchestra | Joel Eric Suben, conductor | 12:19 |
02 | Landscape... With Grace | Richard Brooks | Kent Philharmonia Orchestra | Lynn Asper, conductor | 11:25 |
03 | Sweet Betsy | Richard Brooks | Deirdre Viau, flute; Yhasmin Valenzuela, clarinet; Lilit Hartunian, violin; Christopher Homick, cello; Leah Kosch, piano | 7:16 |
04 | Four-Play | Richard Brooks | The New Hudson Saxophone Quartet | Paul Cohen, Avi Goldrosen, David Demsey, Tim Ruedeman | 7:54 |
05 | Chorale Variations | Richard Brooks | Constanta Symphony Orchestra | Radu Ciorei, conductor | 13:14 |
06 | Prelude & Lament | Richard Brooks | Memphis Woodwind Quintet | 10:15 |
07 | Suite for Percussion | Richard Brooks | Florida State University Percussion Ensemble | Gary Werdesheim, director | 7:57 |
08 | Violin Sonata | Richard Brooks | Carroll Glenn, violin; Kenneth Gartner, piano | 20:19 |
Seascape: Overture To Moby Dick from and The Eagle Flies
Recorded September 24, 1993 at the Concert Hall of the Polish Radio, in Katowice, Poland
Landscape…With Grace from and The Eagle Flies
Recorded April 20, 1996 Grand Rapids Community College
Sweet Betsy
Recorded at the 2013 PARMA Music Festival at St. Johns Church in Portsmouth NH
Four Play from Quartet at The Crossroads
Engineered by Ryan Streber at Oktaven Audio LLC in Yonkers, NY
Chorale Variations for Two Horns, String Orchestra from Tonus Tomis
Recorded by Thalassa Sound, Constanta, Romania, Remus Munteanu, director
Prelude and Lament from Music Visions
Suite for Percussion from Music Visions
Sonata For Violin and Piano from ASUC #5
Recording Engineer: David Hancock
Cover Art: Mike Labrie Photo
mikelabriephoto.photoshelter.com
Executive Producer Bob Lord
Executive A&R Sam Renshaw
Audio Director Jeff LeRoy
Engineering Manager Lucas Paquette
Mastering Shaun Michaud
Design & Marketing Director Brett Picknell
Design Ryan Harrison
Artist Information
Richard Brooks
Richard Brooks (b. 1942) is a native of upstate New York and holds a B.S. degree in Music Education from the Crane School of Music, Potsdam College, an M.A. in Composition from Binghamton University and a Ph. D. in Composition from New York University. From 1975-2004 he was on the music faculty of Nassau Community College where he was Professor and Department Chair for 22 years, supervising 13 full-time and c. 30 part-time faculty.