Catalog

Poet and musician Aidan Andrew Dun offers extremely unique works of spoken word poetry recitation, with keyboard accompaniment, in his Ravello Records release HONEYLAND. The album’s offerings can be seen to have roots in a number of Western musical and literary practices. Dun’s geographically specific epic poetry recalls the writings of James Joyce, and his interest in reciting poems to music suggests the influence of English poet and painter William Blake.

Pianist Sang-Hie Lee performs original works written for two pianos, by internationally recognized composers Gerald Chenoweth, Eun-Hye Park, Lewis Nielson, Daniel Perlongo, and Paul Reller, in ARS NOSTRA: BUT NOW THE NIGHT. Along with collaborating pianist Martha Thomas, the pieces showcase the instrument as a “super piano”, unveiling textures and new combinations of sounds not accessible with a soloist.

On his debut Ravello Records release ROSE, composer Michael Laurello offers a personal and refined style marked by rhythmic invention, visceral directness, and earnest emotional depth. His music reflects his diverse stylistic influences, which include Western classical music, jazz-fusion, progressive rock/metal, and EDM/IDM. Intricate polyrhythms, high-energy grooves, and a sophisticated harmonic palette are distinctive features of his music. Laurello composes for both traditional and non-traditional musical forces, including symphony orchestra, acoustic chamber ensembles, and works conceived specifically for the recording studio. He has recently collaborated with groups such as So Percussion, the Yale Philharmonia, Sandbox Percussion, and HOCKET.

Composer and guitarist André M. Santos showcases his chamber works on his debut Ravello Records release SOUNDS OF A DIFFERENT UNIVERSE. Santos wrote each of the pieces featured on the album for fellow musicians and friends, resulting in a kaleidoscope of diverse personalities and styles. To this end, the sounds in his pieces indeed inhabit a different universe—his colorful chamber works bring together unexpected and intriguing combinations of instruments and timbres.

With his Ravello release EMBRACE THE WIND: A CELEBRATION OF WIND AND WIND MACHINES, composer Robert J. Martin communicates the wonder that humanity has for wind through a cycle of string quartets rooted in images and emotions played out across histories as diverse as ancient Phoenicia and modern wind farms. The cycle uses contrasting sonorities and melodic material that range from thorny to lush to portray the influence of wind on culture and civilization, from the joy of a child's pinwheel to the power of giant wind turbines.

World-renowned clarinetist F. Gerard Errante’s latest Ravello release NEW MUSIC FOR CLARINET … ANOTHER LOOK is a retrospective compilation of avant-garde works previously recorded by Errante in the LP era. These innovative works of the late 20th century, mostly written for or dedicated to Errante, display his wide-ranging mastery and consummate musicality in an idiom that is challenging as well as engaging and compelling.

Composer Scott Brickman demonstrates the diversity of his inspirations and musical interests on his third full album on Ravello Records, NINETY-SIX STRINGS AND TWO WHISTLES. Drawing on a sea of influences, from Baroque dance suites, to the compositional methods of Arnold Schoenberg, to punk rock, the mixture of popular and historic references broadly typifies post-modern American music composition.

Chilean-American composer Miguel Chuaqui presents beautifully crafted works for small chamber and solo instruments on his Ravello Records release CONFABULARIO. The American Academy of Arts and Letters says of Chuaqui “His music shows qualities attributable to his Latin-American roots; although he is not a ‘genre’ composer. He is a clearly integrated personality, which exhibits a unique and convincing sensibility.”

Turkish composer Hakki Cengiz Eren presents a selection of chamber and solo works on his debut album COLOR STUDIES, released on Ravello Records. Eren’s music epitomizes expressionism in contemporary music, utilizing an enormous range of sounds, forms and textures to create highly evocative and dramatic musical statements.

Pianist Gayle Martin achieved international prominence as the sole American laureate of the sixth International Tchaikovsky Piano Competition in Moscow. The Washington Post called her performance “a tour de force” and praised her artistry for its “intense passion and deep-seated emotional response to the music.” The Woodstock Times cited her recital as one “which, if recorded on 78’s, could have fooled the average pianophile into thinking he or she was listening to one of the greats of the past.” A native of Texas, Gayle was a student of Madame Rosina Lhévinne at The Juilliard School, where she was awarded the coveted Josef Lhévinne Prize.

Pittsburgh-based composer Philip Thompson presents SEPARATE SELF, his debut release on Ravello Records. Thompson writes that the release is “a reflection of the creative energy that comes from being deeply rooted in a vibrant artistic community.” True to this communal spirit, several of the pieces were composed in collaboration with artists from different disciplines – from robotics and dance with Separate Self to visual art with Nocturnes to film with the score to Will Zavala’s documentary Virgil Cantini: The Artist in Public.

Works For Electronics & Piano Sidney Bailin composer "I write what is inside me," says Sidney Bailin. "To me, revealing the psyche’s vulnerable parts is the essence of serious art. With each piece I write, I am trying to tell my secrets." On his first Ravello release, 16-2-60-N-5: WORKS [...]

“We’re really trying to find a whole new language,” says harpist Heidi Krutzen, “and a new way of moving our instruments forward.” New languages and propulsive forward motion abound on MAXWELL, MUHLY, & COULOIR, the second Ravello Records release from the elegant, unusual duo COULOIR. Krutzen and cellist Ariel Barnes utilize their unconventional timbral combination to maximum effect in Serere by composer James B. Maxwell. Originally composed for the Canadian company Ballet Kelowna, the piece features gossamer, glacial sonorities as well as aggressive, pounding rhythmic structures, all bound together over the course of an epic sonic journey.

Delivering a diverse cross-section of dynamically rhythmic and tonally expressive chamber works, composer John K. Leupold II presents his debut release on Ravello Records, EXASPERATING PERPETUATION. Described by the Washington Post as “an imaginative exploration of instrumental timbres,” Leupold’s music seeks to enhance the tonal possibilities of the instruments through the use of tension, personification, and imagery.

Violinist Mikylah Myers and flutist Francesca Arnone perform diverse electroacoustic pieces on their first collaborative album REACT, released on Ravello Records. The works on this album demonstrate well the potential range of electroacoustic music in facilitating both experimental and traditional compositional ideas. The featured composers explore new ways of creating and organizing sound, and as performed with either computer or other interactive electronics, the violin and flute help construct unique sonic landscapes.

The Ravello Records release ACE COMPOSERS features the music of three composers in the same family: Alan Schmitz and his two sons, Christopher and Eric. Though Alan describes the three composers as having different influences, their music is linked by connections to popular musical genres, which each references in some manner in a work featured on the album.

On her debut release on Ravello Records, PIANO SONORITIES, composer Betty R. Wishart presents a collection of her solo piano works, performed by award-winning pianist Jeri-Mae G. Astolfi, which highlights the composer’s use of distinctive harmonic structures, tension, and space. In many of Wishart’s works including Toccata II, Toccata III, Sonata, and Night Visions, the composer employs the intervals of seconds, fourths, and sevenths to create melodic and harmonic material which unifies the style of her writing while creating a variety of colors and textures throughout the album.

The trumpet is a robust instrument which has been widely employed in several genres of music, from the jazz and free form music of Miles Davis, to the world and electroacoustic music of Jon Hassell. Trumpeter James Zingara continues to expand the performance repertoire of the trumpet with TEXTURES, his debut release on Ravello Records. Hinged on the 21st-century art music style of composition, the works in this collection, all written after 2002, strengthen the trumpet’s diversity and adaptability in settings with computer-generated sounds, syncopated rhythms, blues forms, and atonal harmonic structures.

Composer and sound designer Ted Moore presents his Ravello release Gilgamesh & Enkidu, a six-movement interpretation of the ancient Mesopotamian epic poem scored for string quartet and laptop. The work follows the friendship of Gilgamesh and the wild Enkidu, his enemy-turned-friend, as they defy the gods and defeat their beast, Humbaba, in the name of humanity. After the gods murder Enkidu as punishment, Gilgamesh falls into despair and wanders the earth in search of the secret of immortality so he can resurrect his friend. When an empty-handed Gilgamesh returns to his kingdom, he sees that, in his absence, his people have built great monuments in his honor. He realizes that humanity is destined for mortality, and that overcoming adversity is part of the full human experience.

On his debut release on Ravello Records, SONG OF THE CENTRAL TREE, enigmatic Australian composer Ron Nagorcka presents an eclectic collection of his chamber and electroacoustic works that highlight his affinity and aptitude for creating complex and asymmetrical rhythmic patterns, utilizing just intonation, and, in a number of works, reflecting the Australian landscape. Nagorcka’s intricate cross-rhythms, use of the didjeridu and microtonal melodies reflect the influence of Australian indigenous culture, while the theory behind the rich contrapuntal and harmonic textures he achieves using microtones has roots in ancient Greece and Asia as well as medieval and renaissance Europe.