Catalog

Ravello Records presents VANISHING POINT, featuring saxophonist Allen Harrington and organist Lottie Enns-Braun in an unusual instrumental pairing not often heard in classical repertoire. “The saxophone and organ are wind instruments that rarely occupy the same space at the same time,” says Enns-Braun, “and it is our contention that this seemingly incongruous combination is actually quite perfect.”

Ravello Records presents ANIMATED SOUNDS, a multimedia release from composer Gheorghe Costinescu. The album showcases works by Costinescu from a varied and illustrious career spanning more than half a century. The first half of the release is purely musical, with pieces such as the virtuosic Sonata for the Piano and Essay in Sound, performed by pianist Stephen Gosling, and the expressive Voices Within, performed by violinist Vesselin Gellev.

Composers and longtime friends Joel Mandelbaum and Leonard J. Lehrman present their collaborative HARMONIZE YOUR SPIRIT WITH MY CALM. The two first met in 1976, and, since then, have carved out prestigious careers in New York. Both are prolific creators, respected academics/lecturers, and important institutional leaders, particularly in the world of American and Jewish music. Each composes somewhat traditional music infused with their own originality and sometimes unconventional influences.

On MARIMBA CONCERTI WITH PERCUSSION ORCHESTRA (2006), Robert McCormick conducts his McCormick Percussion Group – an ensemble comprised of 20 marimbists and accompanied by guest pianist Corey Holt Merenda throughout. Guest conductor Cayenna Rosa Ponchione appears on her composition The Creation, the album’s concluding track.

Composer Alla Elana Cohen presents a full album of chamber works in her first Ravello Records release RED LILIES OF BELLS, GOLDEN LILIES OF BELLS, WHITE LILIES OF BELLS. Cohen is an extremely creative and evocative composer, her works are wildly imaginative. The album is rich with musical surprises that reward repeat listens.

Innovative New Music trumpeter Stephen Ruppenthal commands attention right out the gate. Or perhaps, more specifically, he commands it right out the “NGate” – the subtitle of the opening track on FLAMETHROWER, his Ravello Records debut. The album contains world premieres of five pieces for trumpet, flugelhorn, voice, and crotale, composed specifically for Ruppenthal by Allen Strange, Bruno Liberda, Elainie Lillios, and Brian Belet.

Ravello Records proudly presents the digital single PIECE BY PIECE, the PARMA debut of composer Beth Mehocic (ma•ho´•sick). Her work of the same name is scored for flute, bass clarinet, trumpet, bass trombone, violin, contrabass, and percussion and is performed by the Moravian Philharmonic Chamber Players. Piece by Piece was commissioned by the Erick Hawkins Dance Company of New York City in honor of their former director and composer-in-residence, Lucia Dlugoszewski. Dlugoszewski is known for her developments in avant-garde music technique and experimental music; thus, Mehocic includes a number of these techniques in the piece, including pitch bends, rapid glissandi, muting techniques, and extreme ranges.

On TWILIGHT REMEMBERED (2003), musical and marital partners Robert and Kim McCormick join forces as the McCormick Duo, performing percussion and flute, respectively. The album presents a collection of contemporary compositions for these two instruments, including works from Paul Bissell, Elliot Carter, Andre Jolivet, Ralph Shapey, David Heuser, Henri Lazarof, Hilton Jones, Wesley Fuller, Howard Buss, Kent Kennan, and Daniel Adams.

On FROM A FAR-OFF WORLD (2006), saxophonist and bass clarinetist Demetrius Spaneas performs compositions for woodwinds and electronics. Along with two interludes for alto saxophone composed by Spaneas, the album includes Shaun Naidoo’s Walking in the Dirt for bass clarinet and Blood on the Pattern for alto saxophone, along with Jane Brockman’s Tagore Songs for soprano saxophone.

With SUFFICIENT TROUBLE, his debut release on Ravello Records, composer and performer Brian Belet offers a selection of computer music composed over the last twenty years. Featuring acoustic instruments and responsive electronic materials the disc offers a degree of variety in timbre and musical content that is sometimes lacking in electronic music. In Lyra, the album’s opening track, Belet establishes an aural world in which the organic material and electronic content merge seamlessly, clearly defining the musical language to come as the album progresses.

First released in 2002 on Capstone Records, Phillip Schroeder’s TURNING TO THE CENTER is a subdued, atmospheric tour de force of songs written primarily for an ensemble of baritone voice, clarinet, and keyboards. Featuring texts by Walt Whitman, Mark Twain, and Rumi, the three song cycles on this release offer atmospheric and varied writing for the expected baritone, clarinet, and keyboards with occasional forays into the unexpected sound worlds of synthesizer and added percussion.

Exciting new Ravello Records release I DREAM AWAKE consists of chamber music composed by new PARMA composer Bill Whitley. Whitley’s music is characterized by meditative and trance-like qualities inspired by various forms of meditation practice, and, above all, the artistic installations of Alexander Calder. Indeed, Whitley’s music seems to be primarily concerned with depicting and embodying experiences, whether they be sensory, natural, spiritual, or human experiences.

Composer Douglas Bielmeier’s BETTY AND THE SENSORY WORLD is an enveloping musical work that soothingly twists time into a languid river of sound. Along these lines, BETTY AND THE SENSORY WORLD unfolds as one massive work that, though it may be marked in seven constituent sections, flows with very little delineation from one movement to another. This is not to say, however, that BETTY AND THE SENSORY WORLD is static or overly repetitive. Rather, Bielmeier’s creation simply exists on an atypically large scale, which demands the kind of gradual, almost furtive, evolution of musical ideas that characterizes this work.

Composer Steve Rouse constructs unique and indelible sound worlds on his album MORPHIC RESONANCE, his first release with PARMA Recordings. The album is a revue of Rouse’s chamber music from the last two decades and beyond, and the works featured on MORPHIC RESONANCE demonstrate Rouse’s powerful gifts to create compelling and idiosyncratic musical statements.

Ken Walicki is an American composer and director of the Composition Program at California State University, Fullerton. He is widely recognized and acknowledged for his dramatic and engaging music, often using innovative instrumentation. Walicki was one of the first composers to use turntables in his music. Walicki conveys the effects of globalization and increasing dependency on technology with CYBERISTAN, a Ravello Records release. Each piece contains its own environment and its own space. The natural acoustic sounds juxtaposed against man-made sounds of electronic instrumentation supports a dichotomy of two worlds vying for supremacy but inevitably merging into one homogenous identity.

Ravello Records proudly presents VERDI’S GUITAR, an album by guitarist Alan Rinehart made up of six fantasies for solo guitar by 19th-century composer guitarist/composer Josef (Johann) Kaspar Mertz. Each fantasy is based on an opera of the great Giuseppe Verdi, including such famous works as Nabucco, Rigoletto, Il Trovatore, and La Traviata.

New from Ravello Records is DECADE ZERO, a compilation of works for instruments and electronics by Christopher Biggs. The works integrate traditional instruments with live electronic processing and sound files. Biggs’ compositions focus on environmental, political, and scientific extra-musical concepts relevant to today’s world. Featuring the Western Brass Quintet, the title track, Decade Zero explores the last period in time when humanity can take decisive action to combat climate change without facing irrevocable changes to our world.

Juxtaposing the loud and abrasive with the soft and subtle, the McCormick Percussion Group balances tumult and tender in KID STUFF. Led by director Robert McCormick, Professor of Music at the University of South Florida in Tampa, the percussion orchestra re-imagines original compositions from five key contemporary classical composers.

First released in 2010, JUPITER DUO showcases music for cello/piano duo, solo piano, and for solo cello by Alla Elana Cohen. She and cellist Sebastian Baverstam make up Jupiter Duo, and have performed together for many years since Baverstam was 12 years old. They perform Cohen’s highly expressive music with an unbridled intensity, and have a reputation for having a close musical connection.

Ravello Records proudly presents THE CEILING FLOATS AWAY, a groundbreaking new collaboration between sound artist Matthew Burtner, former US poet laureate Rita Dove, and ecoacoustic ensemble EcoSono. A National Endowment for the Arts commission, The Ceiling Floats Away was awarded a Special Jury Award in the 2016 American Prize in Chamber Music Composition for "Unique Nexus of Acoustics, Electronics and Audience Interaction." Since its composition, it has been selected for performance at various festivals and venues, including the Smithsonian Natural History Museum’s Accelerate Festival.