Catalog

As a ferocious wind storm spins up all things in its path, The Tornado Project, conceived by composers Ricardo Climent and Paul Wilson, cuts a path through the repertoire of 21st-century electroacoustic music, presenting a collection of works for flute, clarinet, and computer-generated sound that explore the chaotic beauty of this trio. With performances by two American wind virtuosi - clarinetist Esther Lamneck and flutist Elizabeth McNutt - these works showcase the skills of the musicians, their dynamic relationships with the computer, and the composers' innovative, colorful, and resourceful styles.

On their debut Ravello Records release, PLAYFUL EDGE OF THE WAVE, composers Robert J. Martin and Neely Bruce join a love of beauty with the willingness to engage in spirited, magical, even outrageously unexpected sounds and gestures. These composers, with pianist Shirley Blankenship, present a collection of image-based works whose titles and descriptions open a direction to understanding the music.

Inspired by the worlds of literature and nature, composer Michael Matthews, in his Ravello Records release, STRING QUARTETS, follows in the tradition of such 20th-century composers as Webern and Shostakovich, using his expressive musical language to explore existential and humanistic discourses about society, nature, and our place as individuals in the world.

From the passion of a new romance to the devotion and deep affection of parents for their children, love can take many forms. On his Ravello Records release CIRCLE OF LOVE AND OTHER CHORAL OFFERINGS, composer Craig Madden Morris presents a song cycle for chorus and piano set to traditional texts from The Song of Songs, Ecclesiastes, The Book of Ruth, Malachi, and The Rubaiyat of Omar Khayyam, as well as original verse by the composer. This CIRCLE OF LOVE portrays the blossoming and growth of love, from the initial passion to the poignancy of later years.

On a starry night, we may find ourselves gazing up and contemplating our own place among the stars and galaxies that reside an unfathomable distance away. On his debut Ravello Records release, SELECTED GALAXIES, composer Samuel Pellman immerses listeners on a dreamy journey deep into the encompassing and mysterious universe in which we live. Throughout the album, the composer depicts the ominous and impressive beauty of space through the use of electronic sound generated by the Kyma System, a symbolic sound design program.

Weaving together vocal musical styles of the past and present, composer and conductor Thomas Juneau, with the Juneau Vocal Alliance and Summit Chorale, present their debut Ravello Records release, VISIONS ETERNAL. Replete with transcendent performances and sweeping moments of musical euphoria, Juneau creates a stunning choral vision of eternal serenity and triumph.

It is often not until the brutal weight of loss and grief bears down upon us that we are forced to ponder the meaning of life and reconsider our own path of existence. Composer Masatora Goya presents his debut Ravello Records release, DREAM OF SAILING, a collection of chamber works inspired by the life and passing of Goya’s father, Masahiro.

The profound events of our lives, including death, birth, trauma, and wonder, often provoke experiences that transcend words, creating moments better suited to the encapsulating depths of silence. Inspired by insights and personal stories, Ravello Records presents the theatrical work for soprano and electronic sound, SHE LOST HER VOICE, THAT’S HOW WE KNEW.

On their seventh Ravello Records release, PLOT: MUSIC FOR UNSPECIFIED INSTRUMENTATION, the McCormick Percussion Group, directed by Robert McCormick, delivers a diverse collection of works that explore and expand the bounds of the percussion ensemble, featuring the use of improvisation, taped field recordings, and computer-generated graphical scores.

On his debut Ravello Records release IMMERSION, ABSORPTION, CONNECTION., composer Edgar Barroso presents a retrospective collection of works that explore his interest with modern science and technologies, social customs, spirituality, and more, using a variety of ensemble combinations and extended techniques for an array of textures and tonal colors.

From Stravinsky-esque rhythms and impressionistic harmonies to Xerox® machine-inspired gestures, Eight Strings & a Whistle – comprised of flutist Suzanne Gilchrest, violist Ina Litera, and cellist Matthew Goeke – present a diverse selection of contemporary and 20th-century works that highlight the ensemble’s blend of technical prowess and emotive interpretation on their debut Ravello Records release ALBERT’S WINDOW.

As ocean waves continue their usual cycle of meeting the shore and returning to the vast blue wholeness, a certain kind of freedom, along with a sense of comfort for the unknown, can be found within their consistent movements. Drawing inspiration from nature and meditation, flutist and composer Jennifer Borkowski presents her debut Ravello Records release COMPOSED. Borkowski creates a dialog between Western and Indian classical music with her adaptation of Anusvara by Shirish Korde, in which she uses a Western classical flute. Korde’s other work on this album, Tenderness of Cranes, offers imagery of nature: the playful dance of cranes, wings flapping on water, and birds taking flight.

Although Don Gillis (1912 – 1978) is most known for his Symphony No. 5½, A Symphony for Fun (1945), premiered by Arturo Toscanini and the NBC Symphony Orchestra in 1947, the American composer, conductor, and educator wrote prolifically in nearly all contemporary styles and genres, with a catalog of more than 150 works including ten symphonies and six string quartets. Near the beginning of his career, between 1938 and 1939, he composed three suites for wind quintet, which have never been recorded – until now.

On his Ravello Records release BALANCING ACTS, composer and sound designer Russell Pinkston showcases a selection of his compositions for acoustic instruments and electronic sounds. Most of these pieces combine the two, capitalizing on the absolute precision and unlimited sonic potential of electronic media, while still taking advantage of the spontaneity and expressivity of live performance. Several works feature interactive software written by the composer, which tracks a live performer and generates an electronic accompaniment in real time.

On his debt release on Ravello Records, JUST MUSIC: MUSIC FOR PIANO IN FIVE LIMIT JUST INTONATION, Croatian composer Zoran Šćekić presents an open series of compositions aiming to explore the harmony of a non-tempered microtonal system based on integer harmonics, or just intonation. Performed by Croatian pianist Ana Žgur, the pieces on this album explore the use of intervals in five limit just intonation, a method in which intervals are built on the prime numbers 2, 3, and 5. Šćekić’s economical use of notes emphasizes the contrast between consonant and dissonant intervals in harmony and melody, chord inversions, and use of the syntonic comma.

Since the robust development of the symphonic form in the 18th century, many composers, from Haydn, Beethoven, Mahler and Stravinsky, have written within the genre, creating engaging sonic worlds in and of themselves. Inspired by Arnold Schoenberg’s two chamber symphonies, American composer Douglas Anderson presents three of his chamber symphonies on his debut release on Ravello Records, which aim to envelope the listener in a varied and multifaceted musical environment all the while exploring the genre using the necessarily limited timbral and harmonic palette of a small ensemble.

On his debut release on Ravello Records, SONG OF THE CENTRAL TREE, enigmatic Australian composer Ron Nagorcka presents an eclectic collection of his chamber and electroacoustic works that highlight his affinity and aptitude for creating complex and asymmetrical rhythmic patterns, utilizing just intonation, and, in a number of works, reflecting the Australian landscape. Nagorcka’s intricate cross-rhythms, use of the didjeridu and microtonal melodies reflect the influence of Australian indigenous culture, while the theory behind the rich contrapuntal and harmonic textures he achieves using microtones has roots in ancient Greece and Asia as well as medieval and renaissance Europe.

Composer Joseph Koykkar, described by American Record Guide as writing “music with a crystalline kind of clarity and rhythmic urgency that places him among the more exciting of contemporary composers,” presents his debut full-length release on Ravello Records DOUBLE TAKES AND TRIPLE PLAYS. Featuring works spanning a 20-year period in the composer’s career, this album exemplifies Koykkar’s practical approach to writing, dictated by the bounds and the interplay within chamber ensemble combinations, occasionally using computer-generated sounds.

Composer and sound designer Ted Moore presents his Ravello release Gilgamesh & Enkidu, a six-movement interpretation of the ancient Mesopotamian epic poem scored for string quartet and laptop. The work follows the friendship of Gilgamesh and the wild Enkidu, his enemy-turned-friend, as they defy the gods and defeat their beast, Humbaba, in the name of humanity. After the gods murder Enkidu as punishment, Gilgamesh falls into despair and wanders the earth in search of the secret of immortality so he can resurrect his friend. When an empty-handed Gilgamesh returns to his kingdom, he sees that, in his absence, his people have built great monuments in his honor. He realizes that humanity is destined for mortality, and that overcoming adversity is part of the full human experience.

The trumpet is a robust instrument which has been widely employed in several genres of music, from the jazz and free form music of Miles Davis, to the world and electroacoustic music of Jon Hassell. Trumpeter James Zingara continues to expand the performance repertoire of the trumpet with TEXTURES, his debut release on Ravello Records. Hinged on the 21st-century art music style of composition, the works in this collection, all written after 2002, strengthen the trumpet’s diversity and adaptability in settings with computer-generated sounds, syncopated rhythms, blues forms, and atonal harmonic structures.