Catalog

Douglas Anderson's music may follow a guiding thread of atonality, but since the New York native's tastes are eclectic, so are his works. MUSIC IN DIVERSE STYLES is a showcase of Anderson's genre-busting creativity, a deep exploration of musical paradigms. As the album cycles through different chamber setups from duo to septet, Anderson presents his evolving, idiosyncratic serialism through the prism of heterogeneous genres including bluegrass and rock. Most impressive, perhaps, is the consistency in quality, despite the works spanning four decades. As a composer, Anderson has woven quite the tapestry in this Ravello Records release.

THE PETRIFIED FOREST PROJECT from cellist Rhonda Rider pays homage to the Petrified Forest National Park in Arizona, where Rider carried out a residency in 2015. The forest is home to Triassic fossils and an over 200 million-year-old ecosystem. The works here, all commissioned as part of the residency, highlight elements that make the park so special. Pari by Mischa Salkind-Pearl takes its movement titles from flora native to the park. Raven Chacon created a piece, Invisible Arc, inspired by a traditional Navajo hunting song. Kurt Rohde’s credo petrified is for amplified cello, and personifies both life and glacial decay in nature. In Meditation on Impatience, Ian Gottlieb evokes sediment through coalescing layers of sound. Laurie San Martin’s Vast Steppe and Eric Moe’s Verklaerte Holz reflect on the idea of natural beauty and the many transformations it endures. Rich in metaphor and imagination, THE PETRIFIED FOREST PROJECT resonates at the intersection of music and ecology.

CYCLES OF FORMATION from John Ritz presents varying degrees of prescribed musical material and open-form elements. Each piece explores the potential interactions between human performance and interactive computer signal processing algorithms within a particular musical context. Featuring jazz pianist Gabe Evens, and classical percussionist Greg Byrne, and Ritz himself as the album’s composer, cellist, and analog synthesist, this Ravello Records release delivers a stimulating world of electroacoustic sound, a smooth blend of suspense and innovation.

At times meditative, at times sparklingly abstract, 5X4 is an album of contrasts. Composer Lawrence Axelrod offers a multi-faceted selection of original compositions which push the limits of musical craft – all contained within the quartet setup, but in varying instrumentations. The range begins with the eternal classic, the string quartet, progresses to a less-orthodox quartet of flute, clarinet, violoncello, and piano, escalates to an otherworldly ensemble of percussion, and finally culminates with a hypnotic double bass quartet. Axelrod's 5X4 is carefully conceptualized and altogether well-wrought; often contemplative, and always original.

Ravello Records is proud to present AMERICAN CARNAGE, an album of chamber music by composer Ken Walicki. Well traveled and well versed in an array of different genres, Walicki shares numerous personal experiences and influences in these pieces, from blissful moments of natural beauty to musical reflections on his formative years and beyond. Masterfully performed by members of the Los Angeles-based Divan Consort, AMERICAN CARNAGE offers exuberance and zest from start to finish, a satisfying and equally authentic listening experience.

TWO WORLDS CALLED HOME is inspired by composer Caleb Vaughn-Jones’s nine-year journey as an American living abroad in South Africa. In 2011, Vaughn-Jones was a gifted cellist from Baltimore who felt a calling toward the unknown. He abandoned the traditional path of an American musician building a career and instead moved to Port Elizabeth, South Africa to teach music. In this album, Vaughn-Jones employs his skill as a cellist to express the joys and sacrifices he encountered on this incredible adventure. Ava’s Lullaby, for example, was written for his daughter when pandemic restrictions kept him from returning to the United States. Lakutshon' ilanga (The Sun Never Sets), on the other hand, is an isiXhosa song written by Mackay Davashe during the Apartheid era that describes the endless search for a lost love. Joined by pianist Hsin-I Huang, Vaughn-Jones invites listeners on an unforgettable journey.

On ...AND NOTHING REMAINS THE SAME... from Eight Strings & a Whistle and Ravello Records, the flute-viola-cello trio explores the constant cycle of transformation that defines human existence. Since 1998, Eight Strings & a Whistle has earned a reputation for championing Baroque, Classical, and Romantic repertoire while also premiering new works from living composers. ...AND NOTHING REMAINS THE SAME... focuses on the music of contemporary composers, the majority of whom composed their pieces specifically for the Trio. The performances heard on the album offer a rewarding and intimate listening experience, with a deeply evocative sound rife with stark dissonance and rich harmony.

Ravello Records proudly presents THE TRAVELLED ROAD from operatic composer Evan Mack. The album is a bold and progressive work featuring compositions that are thoroughly grounded in the modern era. A Little More Perfect sets the text of Justice Anthony Kennedy’s majority opinion on Obergefell v. Hodges, which made marriage equality the law of the land. Three Reflections of Sister Dorothy tells the story of martyred nun Sr. Dorothy Stang and her fight to save the rainforest. The Road and the End expresses the eponymous 1916 Carl Sandburg poem as a musical tour de force, performed by vocal powerhouse Megan Marino. Mack is a firm believer that opera should be theater grounded in climactic expression, delivering larger-than-life stories while harnessing the full athletic thrill of singing; THE TRAVELLED ROAD embodies this philosophy.

The Chafe Impett Parra Trio, in partnership with Ravello Records, has released their newest album, TIME CRYSTAL. TIME CRYSTAL is a musical project like nothing you’ve ever heard before—born at the nexus of art and science, this collection of improvisational “experiments” tests the interactions between musical inputs and computer-generated responses. What listeners hear on the recording is actually a methodological documentation of a laboratory session in Ghent, during which three musicians engaged in a fluid and captivating freeform dance. TIME CRYSTAL is electroacoustic music at the very vanguard of the genre; it features violoncello, double bass, trumpet, and electric guitar, and offers listeners the chance to take part in the musical discovery.

Stuart Weber's PIECES OF ROAD is a heartfelt, profound homage to the spirit of the American West. At once traditional and original, the classical guitarist manages to capture the essence not only of his native Rocky Mountains, but of nature and comfort at large.

The trailblazing duo of Kimberly Patterson and Patrick Sutton are champions of the budding cello & guitar genre of chamber music. The Patterson/Sutton Duo and composer Stephen Goss have worked together over many years and this album represents the fruits of their musical collaboration. This collection of Goss’s complete works for cello and guitar is a kaleidoscopic journey through the evocative sound world of this instrumental pairing. It represents a substantial contribution to the standard cello and guitar repertoire by one of the guitar world’s most sought after composers.

On Ravello Records, London composer and saxophonist Sophya Polevaya offers ELECTRIC SCENT, a series of 19 instrumental meditations on the mythic power of flowers and perfumery.

New from Ravello Records comes composer James O’Callaghan’s ALONE AND UNALONE, a scintillating dance between reality and abstraction that is sure to spark the listener’s imagination and unearth their most primal misgivings. Montréal-based O’Callaghan has been laurelled with innumerable awards and prizes for his work–and rightfully so. Marrying traditional instruments, ambient sounds, and the incomparable power of the human voice, ALONE AND UNALONE dares the listener to grapple with solitude.

Jeff Morris's second album, WITH STRINGS, explores the possibilities of 21st-century counterpoint. He builds up rich musical textures by sampling violin and cello live and folding them back into the mix, influencing the performers in turn.

David Taddie’s new album FANCY COLORS blurs the spectrum between acoustic and electronic music into an unorthodox wave of sound. In contrast to the primary characteristics of each type of music, Taddie creates sophisticated, complex compositions by blending the sounds of string and woodwind instruments with the influence of computer-generated effects. Written and recorded over two decades, FANCY COLORS is the result of Taddie’s exploration of timbre and space using the electronic medium. The eight tracks on the album expand the boundaries of the otherwise conventional sounds of instruments like the flute and piano to a grandiose level.

First released in 2010, JUPITER DUO showcases music for cello/piano duo, solo piano, and for solo cello by Alla Elana Cohen. She and cellist Sebastian Baverstam make up Jupiter Duo, and have performed together for many years since Baverstam was 12 years old. They perform Cohen’s highly expressive music with an unbridled intensity, and have a reputation for having a close musical connection.

New from Ravello Records is DECADE ZERO, a compilation of works for instruments and electronics by Christopher Biggs. The works integrate traditional instruments with live electronic processing and sound files. Biggs’ compositions focus on environmental, political, and scientific extra-musical concepts relevant to today’s world. Featuring the Western Brass Quintet, the title track, Decade Zero explores the last period in time when humanity can take decisive action to combat climate change without facing irrevocable changes to our world.

Chilean-American composer Miguel Chuaqui presents beautifully crafted works for small chamber and solo instruments on his Ravello Records release CONFABULARIO. The American Academy of Arts and Letters says of Chuaqui “His music shows qualities attributable to his Latin-American roots; although he is not a ‘genre’ composer. He is a clearly integrated personality, which exhibits a unique and convincing sensibility.”

Pittsburgh-based composer Philip Thompson presents SEPARATE SELF, his debut release on Ravello Records. Thompson writes that the release is “a reflection of the creative energy that comes from being deeply rooted in a vibrant artistic community.” True to this communal spirit, several of the pieces were composed in collaboration with artists from different disciplines – from robotics and dance with Separate Self to visual art with Nocturnes to film with the score to Will Zavala’s documentary Virgil Cantini: The Artist in Public.

“We’re really trying to find a whole new language,” says harpist Heidi Krutzen, “and a new way of moving our instruments forward.” New languages and propulsive forward motion abound on MAXWELL, MUHLY, & COULOIR, the second Ravello Records release from the elegant, unusual duo COULOIR. Krutzen and cellist Ariel Barnes utilize their unconventional timbral combination to maximum effect in Serere by composer James B. Maxwell. Originally composed for the Canadian company Ballet Kelowna, the piece features gossamer, glacial sonorities as well as aggressive, pounding rhythmic structures, all bound together over the course of an epic sonic journey.