Catalog

With SUFFICIENT TROUBLE, his debut release on Ravello Records, composer and performer Brian Belet offers a selection of computer music composed over the last twenty years. Featuring acoustic instruments and responsive electronic materials the disc offers a degree of variety in timbre and musical content that is sometimes lacking in electronic music. In Lyra, the album’s opening track, Belet establishes an aural world in which the organic material and electronic content merge seamlessly, clearly defining the musical language to come as the album progresses.

On FROM A FAR-OFF WORLD (2006), saxophonist and bass clarinetist Demetrius Spaneas performs compositions for woodwinds and electronics. Along with two interludes for alto saxophone composed by Spaneas, the album includes Shaun Naidoo’s Walking in the Dirt for bass clarinet and Blood on the Pattern for alto saxophone, along with Jane Brockman’s Tagore Songs for soprano saxophone.

Composer Alla Elana Cohen presents a full album of chamber works in her first Ravello Records release RED LILIES OF BELLS, GOLDEN LILIES OF BELLS, WHITE LILIES OF BELLS. Cohen is an extremely creative and evocative composer, her works are wildly imaginative. The album is rich with musical surprises that reward repeat listens.

Innovative New Music trumpeter Stephen Ruppenthal commands attention right out the gate. Or perhaps, more specifically, he commands it right out the “NGate” – the subtitle of the opening track on FLAMETHROWER, his Ravello Records debut. The album contains world premieres of five pieces for trumpet, flugelhorn, voice, and crotale, composed specifically for Ruppenthal by Allen Strange, Bruno Liberda, Elainie Lillios, and Brian Belet.

Composers and longtime friends Joel Mandelbaum and Leonard J. Lehrman present their collaborative HARMONIZE YOUR SPIRIT WITH MY CALM. The two first met in 1976, and, since then, have carved out prestigious careers in New York. Both are prolific creators, respected academics/lecturers, and important institutional leaders, particularly in the world of American and Jewish music. Each composes somewhat traditional music infused with their own originality and sometimes unconventional influences.

Ravello Records presents ANIMATED SOUNDS, a multimedia release from composer Gheorghe Costinescu. The album showcases works by Costinescu from a varied and illustrious career spanning more than half a century. The first half of the release is purely musical, with pieces such as the virtuosic Sonata for the Piano and Essay in Sound, performed by pianist Stephen Gosling, and the expressive Voices Within, performed by violinist Vesselin Gellev.

Works For Electronics & Piano Sidney Bailin composer "I write what is inside me," says Sidney Bailin. "To me, revealing the psyche’s vulnerable parts is the essence of serious art. With each piece I write, I am trying to tell my secrets." On his first Ravello release, 16-2-60-N-5: WORKS [...]

On his debut release on Ravello Records, SONG OF THE CENTRAL TREE, enigmatic Australian composer Ron Nagorcka presents an eclectic collection of his chamber and electroacoustic works that highlight his affinity and aptitude for creating complex and asymmetrical rhythmic patterns, utilizing just intonation, and, in a number of works, reflecting the Australian landscape. Nagorcka’s intricate cross-rhythms, use of the didjeridu and microtonal melodies reflect the influence of Australian indigenous culture, while the theory behind the rich contrapuntal and harmonic textures he achieves using microtones has roots in ancient Greece and Asia as well as medieval and renaissance Europe.

The profound events of our lives, including death, birth, trauma, and wonder, often provoke experiences that transcend words, creating moments better suited to the encapsulating depths of silence. Inspired by insights and personal stories, Ravello Records presents the theatrical work for soprano and electronic sound, SHE LOST HER VOICE, THAT’S HOW WE KNEW.

This album features works by composer Michael Sidney Timpson that combine three different "spheres of influence:" European avant-garde, American jazz and pop, and various Asian musical traditions. These spheres "collide" with inventive friction, often fuse to "reinvent" convention, and merge to "fertilize" the mind with inspirational seeds for further hybrid creativity.

Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.

Few events happen that shock all living generations, causing them to never forget their memories. For many, the assassination of Martin Luther King, Jr. is such an event. In 1970, composer Mary Ann Joyce-Walter wrote a piece in honor of King, Immortal Diamond – the title track on her release single on Ravello Records.

Our human history, our search for something greater than ourselves, and our discoveries in the process are reflected in the tales we tell. As with words, music can express our stories, and composers David Liptak and Ricardo Zohn-Muldoon present several sonic narratives, referencing authors, poets, astronomers, folk musicians, and more on their debut Ravello Records release, STARS STORIES SONG.

Addressing the man who greatly contributed to the theory of our evolutionary ascent, DEAR DARWIN, the second release on Ravello Records by composer Scott Brickman, explores several themes relating to Charles Darwin's studies and interests including birds, love, world travel, and human boundaries. The song-cycle Dear Darwin is set to 26 poems by Kathleen Ellis and arranged as an abecedarium. Many of Ellis' poems discuss observations of nature and human behavior, some proposing questions and others suggesting answers, while Brickman's compositions consider different relationships between the piano and the soprano voice: he places the piano in three different roles in respect to the soprano - as an imitation, as a supplement, and as harmonic support.

ORPHEUS LEX is composer Marie Nelson Bennett and librettist David Kranes' modern retelling of the ancient Greek myth of Orpheus and Eurydice. Setting Orpheus as a popular folk singer retired in a mountain retreat in Idaho, Bennett-a protégé of Paul Hindemith and a milestonein her field-uses her influences and years of experience to bring the tale to life. Alongside Kranes' libretto, the work spins the classic tale into one of remembrance and looking back into time with a poignant twist.

The McCormick Percussion Group returns to Ravello Records for their sixth release, SOLI FOR SOPRANO WITH PERCUSSION ORCHESTRA. In the vein of their past work, this album showcases the collaboration of solo soprano, featuring critically acclaimed soprano Jamie Jordan and percussion orchestra. Lyrically, the pieces are influenced by the modernist texts of poet Wallace Stevens, the holy influence of the Bible, and the concept of opposites. This unique combination of voice and percussion explores traditional human values, freedom as a necessity of expression, and the sensuality of sound and imagery.

MUSIC FROM 3 CONTINENTS presents the choral works of Bruce Mahin and Graham Hair performed by Scottish Voices, harpists Jacqueline Pollauf and Helen Thompson, and clarinetist Alex South. Representing an international collaboration between artists from around the globe, the works on this album draw from various texts and inspirations, uniting to illustrate the connectedness of music and its influence. Included on MUSIC FROM 3 CONTINENTS are Bruce Mahin's Time², three settings of poems by Robert Penn Warren, unified by the nexus of "time passing," and Whitman Psalms, a piece considering the enormity of God and attempting a hypothetical conversation between man and God; and Graham Hair's O Venezia, a progressively accumulating song cycle drawing texts from Venetians and visitors, and Songs from the Turkish, a piece exploring the mysticism of Islam.

Composed in the wake of 9/11, Barry Seroff's Democracy is a multifaceted, genre-spanning examination of the spiritual and philosophical roots of American thought. Calling on texts from Quaker preachers, American poets, Japanese haiku, and Nietzsche, Seroff forms a flowing narrative charting our cultural development from the innocence and purity of infancy through the growing awareness of adolescence and adulthood, to our ultimate peacemaking with the joy of childhood. Seroff draws influences including classicism, jazz, hardcore punk and more and stitches the seemingly disparate elements of inspiration and source materials into an organic, evolving piece that seeks to explain the intricacies and history of American culture.

LEANING TOWARD THE FIDDLER is a recording of original works by Seattle-based violinist and singer Hope Wechkin, which also includes her inventive arrangements of traditional Balkan folk songs. Wechkin's virtuosic and innovative pairing of voice and violin, which she performs simultaneously, fuses folk, classical, and world music into a blend of genres that emerges "full-bore, all-out, utterly unselfconsciously" (Seattle Times). The works on LEANING TOWARD THE FIDDLER range from themes of passionate longing to humorous musical feuds between lovers, highlighting Wechkin's ability to perform in a wide breadth of styles with great ease and skill.

THE ETERNAL TAO, a one-act multimedia opera for voices instruments, video, electronics, dancers, and lighting presents the text of Lao Tzu's Tao Te Ching translated and re-imagined in the context of modern society. Through this opera, which has parallels with traditional opera, but differs from singer-oriented opera in the sense that the vocalists are a part of the ensemble as a whole, composer, director, and choreographer Kyong Mee Choi seeks to have viewers experience a shared moment of seeing ourselves with open eyes and understand our purpose in the world.