Catalog

Ravello Records proudly presents VERDI’S GUITAR, an album by guitarist Alan Rinehart made up of six fantasies for solo guitar by 19th-century composer guitarist/composer Josef (Johann) Kaspar Mertz. Each fantasy is based on an opera of the great Giuseppe Verdi, including such famous works as Nabucco, Rigoletto, Il Trovatore, and La Traviata.

Exciting new Ravello Records release I DREAM AWAKE consists of chamber music composed by new PARMA composer Bill Whitley. Whitley’s music is characterized by meditative and trance-like qualities inspired by various forms of meditation practice, and, above all, the artistic installations of Alexander Calder. Indeed, Whitley’s music seems to be primarily concerned with depicting and embodying experiences, whether they be sensory, natural, spiritual, or human experiences.

On his debut Ravello Records release ROSE, composer Michael Laurello offers a personal and refined style marked by rhythmic invention, visceral directness, and earnest emotional depth. His music reflects his diverse stylistic influences, which include Western classical music, jazz-fusion, progressive rock/metal, and EDM/IDM. Intricate polyrhythms, high-energy grooves, and a sophisticated harmonic palette are distinctive features of his music. Laurello composes for both traditional and non-traditional musical forces, including symphony orchestra, acoustic chamber ensembles, and works conceived specifically for the recording studio. He has recently collaborated with groups such as So Percussion, the Yale Philharmonia, Sandbox Percussion, and HOCKET.

It is often not until the brutal weight of loss and grief bears down upon us that we are forced to ponder the meaning of life and reconsider our own path of existence. Composer Masatora Goya presents his debut Ravello Records release, DREAM OF SAILING, a collection of chamber works inspired by the life and passing of Goya’s father, Masahiro.

On their debut Ravello Records release, RHAPSODY ON A RIFF, New Zealand composer Michael Calvert and guitarist Matthew Marshall present original works for solo guitar that display the versatility, dynamic range, and earthy timbre of the instrument, while developing a unique musical language influenced by serialism, New Zealand culture, and the guitar's tradition in several genres, from classical and folk to rock, jazz, and pop music.

Presenting contemporary works that blend multiple genres, from classical and avant-garde to heavy metal and world music, the McCormick Percussion Group, hailed as "a very skilled and important contemporary percussion ensemble" by Audiophile Audition, expands the boundaries and possibilities of the percussion ensemble's repertoire on their latest Ravello Records release BETWEEN ROCK AND A HARD PLACE.

NIGHT VOICED, the new release by San Francisco composer Mark Winges, is a collection of warm sounding and texturally rich works featuring the viola in a lush variety of solo, duo, and trio contexts. The title of the album is based on the individual composition of the same name, which is from a poem by Carolyn Forché, "a viola, night-voiced, calls into its past but nothing comes," and reflects the often nocturnal feeling of the program. Other titles such as wary-gliding, ghostly, "Melted Red, Frozen Black", and "Here (marginally buoyant)," offer a hint of the delightful vignettes and turns the music takes along the way.

Composed in the wake of 9/11, Barry Seroff's Democracy is a multifaceted, genre-spanning examination of the spiritual and philosophical roots of American thought. Calling on texts from Quaker preachers, American poets, Japanese haiku, and Nietzsche, Seroff forms a flowing narrative charting our cultural development from the innocence and purity of infancy through the growing awareness of adolescence and adulthood, to our ultimate peacemaking with the joy of childhood. Seroff draws influences including classicism, jazz, hardcore punk and more and stitches the seemingly disparate elements of inspiration and source materials into an organic, evolving piece that seeks to explain the intricacies and history of American culture.

Lifelong guitarist Alex Lubet has created a unique niche, combining his instrumental experience with his traditional studies of composition. On SPECTRAL BLUES, a full album of his works for steel-string acoustic guitar, Lubet combines the characteristics of blues and Eastern styles with classical methods of composition to create remarkably unique pieces that push the boundaries of the instrument. Combining natural harmonies with single-string multiphonics and dyads, Doppler bends, and more, Lubet presents multi-layered guitar music with an edge.

THROUGH THE REEDS is a collection of woodwind concerti from American composer Walter Ross. Ross, a lifelong musician and composer, has historically worked most closely with instruments in the woodwind family; the four concerti on this album, all of which feature a woodwind solo, highlight his preference for the family and his keen ability to compose works for oboe, bassoon, and flute.

LYRIC IMAGES is a collection of guitar pieces written by composer Alan Schmitz over a period of 25 years (1977 to 2002). The works (presented here in reverse chronological order) display a variety of styles and include tonal variations, atonal-intervallic writing, and 12-tone techniques. The use of such different approaches, sometimes in the same piece, is indicative of what has developed in the works of many artists (musical, visual, poetic, dance) during the second half of the 20th century.

Throughout his musical career and childhood, American composer Scott Brickman has gathered influences ranging from the European-American classical tradition of the 2nd Viennese School to Elvis Costello and The Beatles. On WINTER & CONSTRUCTION, his debut release on Ravello Records, Brickman maintains these disparate influences and brings them together into well-crafted whole to create sharp, pointed, and modernistic 12-tone pieces for guitar, piano, and violin.

“What music encapsulates the 90s?” This question is usually answered with grunge, alt-rock, manufactured pop, hip-hop, or any combination thereof. With 90S TIMEFLOW, composer Alan Schmitz steers us in another direction with a collection of contemporary classical works that represents the overarching themes of his work throughout the decade. The melodic, evocative, and accessible works on this release cap off a revolutionary century of classical composition with the perfect balance of influence and ingenuity.

KEEP GOING: THE MUSIC OF ELIAS TANENBAUM features the chamber and solo works of the late Elias Tanenbaum performed by Ensemble Pi. The pieces demonstrate Tanenbaum's ability to turn his emotional reactions to world events into music that illustrates both the life-changing grief and need for change that those events cause. As Tanenbaum himself said, "What is there left in any of us but to keep going?" Ensemble Pi is a new music ensemble dedicated to performing the music of both living composers and undiscovered composers of the past. Keep Going is the ensemble's tribute to Tanenbaum, whose beautiful and thought-provoking music has never received the widespread recognition it deserves.