Catalog

SOLO NON SOLO, the debut Ravello Records release of the Teatro dell'Opera di Roma's bass clarinetist Sauro Berti, presents contemporary works for solo bass clarinet as well as for traditional and unusual duos, including those with percussion, saxophone, narration, and electronics.

As leading instrumentalists of their generation, the musicians of Trio Verlaine, David Harding (viola), Lorna McGhee (flute), and Heidi Krutzen (harp), offer spellbinding interpretations, and a kaleidoscopic range of colors in their debut Ravello Records release SIX DEPARTURES, including both old and newly commissioned works.

On TRIUMVIRATE, composer Walter Ross' second release on Ravello Records, the concerto is showcased as a genre, illustrating that tension and opposition can create balance and richness. Throughout the three concerti, themes, timbres, rhythms, and tempos juxtapose each other, building webs of contrasting musical elements and textures. In Ross' Clarinet Concerto, the two outer movements, "Fantasia" and "Capriccio," move with the energy of dance rhythms while the middle movement, "Romanza," drifts with dreaminess and impressionistic lyricism.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

This solo piano album featuring Canadian pianist Jane Solose, presents works by American composers George Gershwin, Louis Moreau Gottschalk, Amy Beach, Chen Yi, Deniz Ince, and James Fry.

The breadth of musical textures and colors capable of being produced by a piano and saxophone pairing is larger than expected. Turning expectations upside-down, METROPOLIS, the debut release on Ravello Records by the Harrington/Loewen Duo, comprised of saxophonist Allen Harrington and pianist Laura Loewen, highlights the adventurous and unpredictable approach to the two instruments.

Addressing the man who greatly contributed to the theory of our evolutionary ascent, DEAR DARWIN, the second release on Ravello Records by composer Scott Brickman, explores several themes relating to Charles Darwin's studies and interests including birds, love, world travel, and human boundaries. The song-cycle Dear Darwin is set to 26 poems by Kathleen Ellis and arranged as an abecedarium. Many of Ellis' poems discuss observations of nature and human behavior, some proposing questions and others suggesting answers, while Brickman's compositions consider different relationships between the piano and the soprano voice: he places the piano in three different roles in respect to the soprano - as an imitation, as a supplement, and as harmonic support.

Illustrating the impact of Appalachian folk music on his often unconventional yet appealingly direct style, APPALACHIAN INSPIRATION, composer John Beall's debut album on Ravello Records, features three piano and string pieces that display a strong, expressive grasp of folk tunes and traditional classical techniques.

ORPHEUS LEX is composer Marie Nelson Bennett and librettist David Kranes' modern retelling of the ancient Greek myth of Orpheus and Eurydice. Setting Orpheus as a popular folk singer retired in a mountain retreat in Idaho, Bennett-a protégé of Paul Hindemith and a milestonein her field-uses her influences and years of experience to bring the tale to life. Alongside Kranes' libretto, the work spins the classic tale into one of remembrance and looking back into time with a poignant twist.

The rush and restlessness of our daily lives can be like a fog, an opaque shroud that can distract from the enlightening experiences of nature. On her debut Ravello Records album THROUGH THE MIST, composer Pamela J. Marshall presents several works that find their origins in the composer's experiences with the natural world.

THE LYRIC CLARINET, the new release on Ravello Records, showcases a collection of works, originally for voice, which are transcribed, arranged, and performed by international performing and recording artist F. Gerard Errante. Errante selected compositions from German, French, and North and South American composers that illustrate the affinity between the clarinet and the human voice.

The McCormick Percussion Group returns to Ravello Records for their sixth release, SOLI FOR SOPRANO WITH PERCUSSION ORCHESTRA. In the vein of their past work, this album showcases the collaboration of solo soprano, featuring critically acclaimed soprano Jamie Jordan and percussion orchestra. Lyrically, the pieces are influenced by the modernist texts of poet Wallace Stevens, the holy influence of the Bible, and the concept of opposites. This unique combination of voice and percussion explores traditional human values, freedom as a necessity of expression, and the sensuality of sound and imagery.

Joyous and energetic, sad and lyrical, images of light and cascading colors-these varied striking moods can all be used to describe composer Kirk O'Riordan's six chamber works on his premiere Ravello Records release, STRANGE FLOWERS. The six pieces on the album tell a story together, captivating the audience with its accessible but nuanced sound.

Musical idioms have changed and adapted over the centuries. AN EVOLVING CYCLE, Gheorghe Costinescu's second Ravello release features four works for solo piano in which the composer explores the transition of these idioms from Baroque to 21st-century contemporary, charting the evolution of form and technique with a deft control of style. Stephen Gosling, a ubiquitous NYC pianist hailed as "brilliant" and "luminous and poised" (New York Times), performs the four works: Theme and Variations, an energetic, virtuosic, and challenging piece with a chorale-like theme; Sonata for the Piano, a combination of classical sonata and variational forms with elements, toward the end, of ragtime and jazz; Evolving Cycle of Two-Part Modal Inventions for Piano, a multi-part piece whose character, from simple to complex and from traditional to innovative, sets the tone for the entire album; and Essay in Sound, a reflection of Costinescu's own experience, thoughts, and feelings regarding the piano.

RUNES, the new album by composer Robert Dusek and pianist Bryan Pezzone, is a compilation of specially selected solo piano works, and provides the listener with an immersive and cohesive listening experience. Often sparse, sometimes impetuous – "The music is at once very stark, and then seems to propel itself to the next scene or chapter with some unseen, and unheard, energy", says PARMA Recordings Lead Producer, Andy Happel.

CHIAROSCURO, Chamber Music by Richard Lavenda is a bright and engaging new album of some of composer Richard Lavenda's favorite chamber works–all written for personal friends. The title track refers to the visual art technique of a strong contrast between dark and light, and this motif aptly describes the listening experience.

NIGHT VOICED, the new release by San Francisco composer Mark Winges, is a collection of warm sounding and texturally rich works featuring the viola in a lush variety of solo, duo, and trio contexts. The title of the album is based on the individual composition of the same name, which is from a poem by Carolyn Forché, "a viola, night-voiced, calls into its past but nothing comes," and reflects the often nocturnal feeling of the program. Other titles such as wary-gliding, ghostly, "Melted Red, Frozen Black", and "Here (marginally buoyant)," offer a hint of the delightful vignettes and turns the music takes along the way.

WINE DARK SEA is the debut Ravello release from "music's new rare pair", COULOIR (The Georgia Straight). With evocative, emotional music by today's living composers, WINE DARK SEA will take you to "...a full-hearted space, with a sense of deep compassion for and with the world..." Deftly interpreted and expressively performed by Canada's outstanding contemporary music duo, this music by Jocelyn Morlock, Baljinder Sekhon and Glenn Buhr allows a journey into deep listening. "A profoundly beautiful piece of art." (Glenn Sutherland, Composer)

COMPOSITIONAL IMPROVISATIONS: FROM THE MYSTERIA, VOL. 1 is Gregory Hall's debut collection of improvisational classical music based on contemporary music theory, performed by the composer himself. Hall's improvisations feature sprawling-yet-contained passages that weave in and out of harmonic motives, drifting away from centralized themes and seamlessly returning to the source material. The tracks on COMPOSITIONAL IMPROVISATIONS draw from Hall's live concerts of compositional improvisation, which harken back to the days when improvisation was commonplace in classical performance.

MUSIC FROM 3 CONTINENTS presents the choral works of Bruce Mahin and Graham Hair performed by Scottish Voices, harpists Jacqueline Pollauf and Helen Thompson, and clarinetist Alex South. Representing an international collaboration between artists from around the globe, the works on this album draw from various texts and inspirations, uniting to illustrate the connectedness of music and its influence. Included on MUSIC FROM 3 CONTINENTS are Bruce Mahin's Time², three settings of poems by Robert Penn Warren, unified by the nexus of "time passing," and Whitman Psalms, a piece considering the enormity of God and attempting a hypothetical conversation between man and God; and Graham Hair's O Venezia, a progressively accumulating song cycle drawing texts from Venetians and visitors, and Songs from the Turkish, a piece exploring the mysticism of Islam.