Genre: Concertos

EXCURSIONS is a two-disc set featuring the works of Utah composer Marie Nelson Bennett. Bennett paints beautiful portraits with her music, musically illustrating the scenery of a field of flowers, the movements of the ocean, the sorrow of a funeral, and more. Featured performers on EXCURSIONS include Richard Stoltzman, Holly Gornick, and Solveig Lunde Madsen.

CON MOTO, VOLUME 2 is a the second release in the Ravello Records Con Moto series of digital releases featuring unreleased works for orchestra and ensemble. Included on this volume are the modern orchestral and ensemble compositions of Stephen Kemp, Stephen Rush, Larry Barnes, Raymond E. Fahrner,, HyeKyung Lee, Paula Diehl, and Paula Diehl. All of the pieces on this release are completely original, contemporary compositions for orchestra, ensemble, and solo instruments.

CONCERTO FOR PIANO WITH PERCUSSION ORCHESTRA is the fifth Ravello release from the acclaimed McCormick Percussion Group. Living up to their reputation as vanguards of percussion repertoire, the Group uses this album to explore the possibilities of collaboration between piano and percussion wherein neither steals the spotlight. Along with Ji Hyun Kim ("a masterful pianist" - Piano Magazine), the McCormick Percussion Group performs the works of Igor Santos, Mel Mobley, David Gillingham, and David Noon with precision, emotion, and purpose.

Written in the summer of 2011 for David J. Martins and the Boston University Wind Ensemble, Boston-based composer Ketty Nez's thresholds is a piano concerto inspired by music of different eras, including the canonic manipulations of Renaissance vocal music, piquant harmonies of Elizabethan virginal composers, Stravinskian reinterpretations of Baroque idioms, and occasionally, a huge barrel organ. As a kind of musical actor, the piano soloist theatrically leads the ensemble in abrupt changes of style and character so as to create a fractured world with sonic allusions changing rapidly and repeatedly.

On TRIUMVIRATE, composer Walter Ross' second release on Ravello Records, the concerto is showcased as a genre, illustrating that tension and opposition can create balance and richness. Throughout the three concerti, themes, timbres, rhythms, and tempos juxtapose each other, building webs of contrasting musical elements and textures. In Ross' Clarinet Concerto, the two outer movements, "Fantasia" and "Capriccio," move with the energy of dance rhythms while the middle movement, "Romanza," drifts with dreaminess and impressionistic lyricism.