• Catalog #: RR7860

    Release Date: September 4, 2012

    21st Century
    Avant-Garde
    Vocal Music
    Electronic
    Percussion
    Voice

    GODS, DEMONS, AND THE EARTH was originally released in 1995 was lauded as "awesome" (ClassicalNet) and "surreal" (Twentieth Century Music).

  • Catalog #: RR7856

    Release Date: September 4, 2012

    21st Century
    Chamber
    Vocal Music
    Electronic
    Piano
    Voice

    Phillip Schroeder's SONGS OF MY AFFINITIES was originally released in 2003, and was lauded as "gems of the American repertoire" (New Music Connoisseur) and "striking and beautiful" (Sequenza21).

  • Catalog #: RR7888

    Release Date: June 10, 2014

    21st Century
    Avant-Garde
    Vocal Music
    Electronic
    Piano
    Voice

    Addressing the man who greatly contributed to the theory of our evolutionary ascent, DEAR DARWIN, the second release on Ravello Records by composer Scott Brickman, explores several themes relating to Charles Darwin's studies and interests including birds, love, world travel, and human boundaries. The song-cycle Dear Darwin is set to 26 poems by Kathleen Ellis and arranged as an abecedarium. Many of Ellis' poems discuss observations of nature and human behavior, some proposing questions and others suggesting answers, while Brickman's compositions consider different relationships between the piano and the soprano voice: he places the piano in three different roles in respect to the soprano - as an imitation, as a supplement, and as harmonic support.

  • Catalog #: RR7915

    Release Date: October 9, 2015

    21st Century
    Vocal Music
    Electronic
    Voice

    The profound events of our lives, including death, birth, trauma, and wonder, often provoke experiences that transcend words, creating moments better suited to the encapsulating depths of silence. Inspired by insights and personal stories, Ravello Records presents the theatrical work for soprano and electronic sound, SHE LOST HER VOICE, THAT’S HOW WE KNEW.

  • Catalog #: RR7969

    Release Date: July 14, 2017

    20th Century
    21st Century
    Chamber
    Vocal Music
    Electronic
    Violin
    Voice

    With SUFFICIENT TROUBLE, his debut release on Ravello Records, composer and performer Brian Belet offers a selection of computer music composed over the last twenty years. Featuring acoustic instruments and responsive electronic materials the disc offers a degree of variety in timbre and musical content that is sometimes lacking in electronic music. In Lyra, the album’s opening track, Belet establishes an aural world in which the organic material and electronic content merge seamlessly, clearly defining the musical language to come as the album progresses.

  • Catalog #: RR7968

    Release Date: June 9, 2017

    20th Century
    Chamber
    Vocal Music
    Electronic
    Saxophone
    Voice

    On FROM A FAR-OFF WORLD (2006), saxophonist and bass clarinetist Demetrius Spaneas performs compositions for woodwinds and electronics. Along with two interludes for alto saxophone composed by Spaneas, the album includes Shaun Naidoo’s Walking in the Dirt for bass clarinet and Blood on the Pattern for alto saxophone, along with Jane Brockman’s Tagore Songs for soprano saxophone.

  • Catalog #: RR7991

    Release Date: August 10, 2018

    21st Century
    Chamber
    Vocal Music
    Electronic
    Guitar
    Voice

    Ravello Records welcomes Michael Wittgraf to its family of artists. Wittgraf is releasing his debut album MANIFOLD, an expansive effort with numerous layers hidden in the composition. Choosing texture over melody, the visceral compositions of MANIFOLD draw the listener in to the arresting music, and sound as if it would take lifetimes to unpack the complex layers building to Wittgraf’s stellar debut.

  • Catalog #: RR8033

    Release Date: May 8, 2020

    21st Century
    Avant-Garde
    Vocal Music
    Electroacoustic
    Electronic
    Voice

    In HEARING VOICES, his third album of electronic music with Ravello Records, Jeff Morris captivates the psyche with music that is equal parts space age and primeval. With Morris’s characteristic sensitivity, the collection harnesses the expressive power of digital glitches, sonic manipulation, and underneath it all, the human voice.