Genre: Solo Instrumental

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

Amy Briggs brings to life a variety of tangos from different composers on TANGOS FOR PIANO. Proposed by composers from UC Davis, the disc features works from Laurie San Martin, Yu-Hui Chang, Pablo Ortiz, Ross Bauer, Yvar Mikhasoff’s International Tango Collection, Astor Piazzolla, and many more. The different backgrounds and compositional variety of each composer highlight the breadth and possibilities of the tango, which Briggs captures impeccably on the solo piano.

KEEP GOING: THE MUSIC OF ELIAS TANENBAUM features the chamber and solo works of the late Elias Tanenbaum performed by Ensemble Pi. The pieces demonstrate Tanenbaum's ability to turn his emotional reactions to world events into music that illustrates both the life-changing grief and need for change that those events cause. As Tanenbaum himself said, "What is there left in any of us but to keep going?" Ensemble Pi is a new music ensemble dedicated to performing the music of both living composers and undiscovered composers of the past. Keep Going is the ensemble's tribute to Tanenbaum, whose beautiful and thought-provoking music has never received the widespread recognition it deserves.

NO SUGGESTION OF SILENCE was originally released in 2001 and was lauded as "truly refreshing " (21st Century Music) and "sophisticated" (New Music Connoisseur). Featuring performances by pianist John Root, flutist Hugh Williams, The Next Stage Speaking Chorus, The Barbad Chamber Orchestra with violinist Sebu Sirinian and conductor Ramin Heydarbeygi, The Choir of the Church of St. Mary the Virgin, and the Goliard Chorale with the P.S. 122 Children's Chorale, clarinetist Thomas Piercy, cellist Jane Lawson, and pianist Judith Olson.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

A CONCERT OF MUSIC BY ALLEN BRINGS was originally released in 2008 and features stunning performances by pianists Allen Brings and Eric Huebner, soprano Jennifer Foster, the Atlantic String Quartet, Talujon, and Flexible Music.

Richard Crosby's AN AMERICAN PORTRAIT was originally released in 1999, and features stellar works by Charles Tomlinson Griffes, Amy Beach, Lee Hoiby, William Grant Still, David Guion, Louis Moreau Gottschalk, and George Gerswhin.

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

OBSTRUCTED VIEW was originally released in 2005 and was lauded as "deft, challenging and eclectic" (Washington Post), and features composer Jessica Krash performing the pieces for solo piano.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

This solo piano album featuring Canadian pianist Jane Solose, presents works by American composers George Gershwin, Louis Moreau Gottschalk, Amy Beach, Chen Yi, Deniz Ince, and James Fry.

Ferruccio Busoni (1866-1924) has earned an undisputed place among the greatest pianists of his time and perhaps of all time, both for his titanic technique and his unapologetic rejection of Late Romantic performance practices. His playing, teaching, and writings continue to shape how and what pianists play today. Busoni is still remembered for his innovative approach to J.S. Bach scholarship through his work as an editor, and especially for his ever-popular transcriptions of Bach’s organ works.