Genre: Solo Instrumental

THE PETRIFIED FOREST PROJECT from cellist Rhonda Rider pays homage to the Petrified Forest National Park in Arizona, where Rider carried out a residency in 2015. The forest is home to Triassic fossils and an over 200 million-year-old ecosystem. The works here, all commissioned as part of the residency, highlight elements that make the park so special. Pari by Mischa Salkind-Pearl takes its movement titles from flora native to the park. Raven Chacon created a piece, Invisible Arc, inspired by a traditional Navajo hunting song. Kurt Rohde’s credo petrified is for amplified cello, and personifies both life and glacial decay in nature. In Meditation on Impatience, Ian Gottlieb evokes sediment through coalescing layers of sound. Laurie San Martin’s Vast Steppe and Eric Moe’s Verklaerte Holz reflect on the idea of natural beauty and the many transformations it endures. Rich in metaphor and imagination, THE PETRIFIED FOREST PROJECT resonates at the intersection of music and ecology.

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

Chilean-American composer Miguel Chuaqui presents beautifully crafted works for small chamber and solo instruments on his Ravello Records release CONFABULARIO. The American Academy of Arts and Letters says of Chuaqui “His music shows qualities attributable to his Latin-American roots; although he is not a ‘genre’ composer. He is a clearly integrated personality, which exhibits a unique and convincing sensibility.”

Stuart Weber's PIECES OF ROAD is a heartfelt, profound homage to the spirit of the American West. At once traditional and original, the classical guitarist manages to capture the essence not only of his native Rocky Mountains, but of nature and comfort at large.