Genre: Chamber

Douglas Anderson's music may follow a guiding thread of atonality, but since the New York native's tastes are eclectic, so are his works. MUSIC IN DIVERSE STYLES is a showcase of Anderson's genre-busting creativity, a deep exploration of musical paradigms. As the album cycles through different chamber setups from duo to septet, Anderson presents his evolving, idiosyncratic serialism through the prism of heterogeneous genres including bluegrass and rock. Most impressive, perhaps, is the consistency in quality, despite the works spanning four decades. As a composer, Anderson has woven quite the tapestry in this Ravello Records release.

Paul Cohen and The New Hudson Saxophone Quartet return to Ravello Records with NEW YORK RISING. Showcasing their well-blended sound and ability to turn on a stylistic dime, the ensemble navigates works by several American composers, from the title track’s evocations of a young man’s excitement, curiosity, and determination in the Big Apple to arrangements of Aaron Copland’s Suite from Our Town and Simple Gifts, and more. The ensemble is joined by guest artists Christopher Brellochs and Ulrich Krieger, both alto saxophonists, throughout the program.

On saxophonist Paul Cohen’s COMMON GROUND, one can embrace the unbroken musical traditions that have defined our musical selves, and in doing so, find a contemporary relevance that is both compelling and insightful. These are magnificent compositions, yet they are rarely heard. The range of expression and emotional direction is astonishing and almost visceral. Each of the works follows a unique path; from the kaleidoscopic Ivesian treatment of American folk tunes in Hymn Variations, to the vibrant, ecstatic joy of Quartet to an Outdoor Festival, to the lush, deceptive and nostalgic Trillium Suite, and finally the introspective interlude of Terpsichord framed by outer movements of pungent rhythmic vitality. COMMON GROUND celebrates not only the expressive inclusiveness of these diverse works, but also the common ground achieved with such varied sets of instruments. All compositions on COMMON GROUND are scored for winds, strings, and piano, and all include the saxophone. The soprano saxophone is scored in Quartet to an Outdoor Festival, Hymn Variations, and Trillium Suite, while the alto saxophone is scored in Terpsichord. In these settings, the saxophone uniquely enhances the color, texture, and dynamic resources of the ensemble, while still retaining the necessary subtlety of ensemble equality. It is common ground for composers, performers, and listeners alike.

Saxophonist Paul Cohen’s AMERICAN LANDSCAPES presents three centuries of original American Music for Saxophone, from Caryl Florio's concerto (1879) for saxophone and orchestra, to 20th and 21st century works (saxophone and piano) by Alec Wilder, Steve Cohen, Percy Grainger, Richard Lane, and Elie Siegmeister. Cohen is joined by pianist Allison Brewster Franzetti and the Oberlin Chamber Orchestra in this Ravello Records release.

Paul Cohen’s OF LIGHT AND SOLACE highlights music by several 20th century composers whose work is deeply engaged with both the tradition and innovation of classical music. Evocative, contemplative, and teeming with emotional depth, the works presented in this Ravello Records release explore and expand upon the liturgical canon, offering instrumental expressions in Gregorian Chant, fresh takes on the iconic Amazing Grace, and more. Cohen pairs a unique selection of saxophones with organ to bring this music to life including his Conn-O-Sax, a bold, innovative saxophone made by the Conn Company for a very limited time in 1928.

MISSOURI BREAKS from composer and guitarist Stuart Weber is a musical meditation on the tension between natural history and modernity. In collaboration with the Benda Quartet, Weber’s work is largely set in the untamed American West. Night Scribe considers the periodic appearance of Halley’s Comet and wonders where humanity might find itself when the comet next appears in the year 2062. Missouri Breaks takes its musical cues from the Missouri River as it flows through north-central Montana; the tempo is set by the river’s current, the shimmering sunlight reflecting off the water inspires Weber’s guitar technique. Weber is deeply familiar with his subject matter, as he credits his upbringing in the Northern Rocky Mountains for giving him the time and space to develop as an artist.

While the saxophone quartet has a relatively short history compared to traditional classical its wind and string counterparts, its repertoire has been rapidly expanding. Combining the suppleness of a string quartet, power of a brass quintet, and extroverted color of a wind quintet, the saxophone has truly blossomed as a unique and accepted voice by composers and listeners. With composers such as Glass, Cage, Berio, Flagello, Xenakis, Wuorinen, Keuris, and Bolcombe writing substantial pieces, its place in today’s classical music scene is secure and growing. On THE AMERICAN MUSE, the New Hudson Saxophone Quartet performs American music that spans beyond a century, from 1879 to 1999. Whether it is the classicist Florio, jazz-inspired Wilder, nostalgic Copland, or post-minimal Torke, each work is of a singularly different nature yet all identifiable as American in style and spirit.

NOCTUARY DUOS from composer Gerardo Dirié explores sonic worlds of shifting hues, puzzling lyricism, and dramatic trajectories. Inspired by the enigmatic beauty of the night sky and the rich astronomical knowledge of Australian Aboriginal and Torres Strait Islander peoples, NOCTUARY DUOS is a collection of contemporary chamber music featuring Diego Montes on bass clarinet and Johanna Rose on viola da gamba. The compositions borrow from Gregorian chant, heavy metal, and even include a quote from Stephen Hawking and a nod to particle physics. At once playful and deeply reflective, NOCTUARY DUOS invites listeners to consider their place in the cosmos.

Contemporary music is often difficult to access, both for audiences and performing musicians, and doubly so if it involves unorthodox musical setups. Paul Cohen, leader of the TTF Saxophone Quartet, is here to challenge this conundrum. DANCES AND DECLAMATIONS compiles a treasure trove of saxophone quartets that are a pleasure to play — and to experience. This eclectic collection includes modern, minimalist constructions, Brucknerian soundscapes, waltzes, fugues, and not least Cohen's own arrangements of Renaissance dances. Each of the pieces on DANCES AND DECLAMATIONS are imbued with genuine cheer, liveliness, and appeal. It's music that speaks to the mind, yes, but even more importantly, puts a spring in your step.

Indianapolis saxophonist Cecily Terhune dives headfirst into an exploration of heroism on her genre-defying debut album BOON BESTOWED. Harnessing the principles laid out in Joseph Campbell's seminal theory of mythology, Terhune creates a captivating, musical microcosm in which the listener is invited to take center stage as the audacious protagonist. The theory goes as follows: Most myths in human history have an archetypal heroine/hero who answers a call to journey through a supernatural world. After undergoing a transformation of strength and character, the heroine returns equipped with material and/or incorporeal boons to bestow upon her community. Marveling at the highly diverse and exquisite mastery of the saxophone on BOON BESTOWED, one is apt to wonder what supernatural landscapes Terhune might have traversed herself.

Korean-born Hee Yun Kim returns with a compelling selection of works that reflect her unwavering curiosity about social justice, Eastern philosophy, and transformative change at large on VOYAGE WITHIN. This Navona Records release is first and foremost a journey into the self, and only second a musical exploration. Kim adeptly weaves her insights into profound and harmonious compositions, capturing the essence of her experiences and contemplations. The resulting music is both introspective and reflective, with a foresight and precision that’s almost scientific in nature.

On ROOT, classical saxophonist and music theorist Jessica Dodge-Overstreet harnesses the ethereal, almost-vocal timbre of the soprano saxophone. Accompanied only by pianist Wan-Ting Yu, Dodge-Overstreet performs music written by a culturally-diverse cast of female composers including Ika Peyron, Germaine Tailleferre, Dora Pejačević, and Teresa Milanollo. From the technically demanding Sonate Slave, with its stratospheric leaps high into the instrument’s uppermost register, to the playful Variations Humouristiques sur l’air de Marlborough for violin and piano which sets the popular folk tune Bear Went Over the Mountain, Dodge-Overstreet brings this versatile and too-often overlooked instrument into the limelight.

CYCLES OF FORMATION from John Ritz presents varying degrees of prescribed musical material and open-form elements. Each piece explores the potential interactions between human performance and interactive computer signal processing algorithms within a particular musical context. Featuring jazz pianist Gabe Evens, and classical percussionist Greg Byrne, and Ritz himself as the album’s composer, cellist, and analog synthesist, this Ravello Records release delivers a stimulating world of electroacoustic sound, a smooth blend of suspense and innovation.

If you crave a deep dive into a new and exciting solar system of starry digital soundscapes, Jeffrey Hall’s EARMOVIE II is certain to take you on an interstellar ride. This digitally synthesized album is described by its composer as “the musical equivalent of science fiction,” and delivers in all aspects. Hall likes his listeners to think of his compositions as an EARMOVIE — a soundtrack to an imaginary film inside your head. In this way, Hall opens up the door for the listener to build their own understanding of EARMOVIE II; the titles of its movements are only a guideline to the experience; what the music truly evokes and tells is entirely up to you.

Whim Ensemble musically explores Dutch painter Piet Mondrian’s artistic abstractions of nature on TREES from Ravello Records. Employing the skills of prepared-piano player Ofer Pelz, percussionist Preston Beebe, and double-bassist Stéphane Diamantakiou, the ensemble combines their years of experience as composers and performers to unearth new textures and timbres for their instruments. The resulting album effuses influences of free jazz, contemporary experimental music, and more to foster a unique take on Mondrian’s creative process and influential artistic output.

At times meditative, at times sparklingly abstract, 5X4 is an album of contrasts. Composer Lawrence Axelrod offers a multi-faceted selection of original compositions which push the limits of musical craft – all contained within the quartet setup, but in varying instrumentations. The range begins with the eternal classic, the string quartet, progresses to a less-orthodox quartet of flute, clarinet, violoncello, and piano, escalates to an otherworldly ensemble of percussion, and finally culminates with a hypnotic double bass quartet. Axelrod's 5X4 is carefully conceptualized and altogether well-wrought; often contemplative, and always original.

Ravello Records is proud to present AMERICAN CARNAGE, an album of chamber music by composer Ken Walicki. Well traveled and well versed in an array of different genres, Walicki shares numerous personal experiences and influences in these pieces, from blissful moments of natural beauty to musical reflections on his formative years and beyond. Masterfully performed by members of the Los Angeles-based Divan Consort, AMERICAN CARNAGE offers exuberance and zest from start to finish, a satisfying and equally authentic listening experience.

While it isn't entirely unusual for musicians to raise musical children, it is fairly rare for a composer to have not one, but two sons who also compose. This is the case for composition professor Alan Schmitz, who, together with his sons Christopher and Eric, presents of ACE COMPOSERS II, a curated selection of contemporary chamber music which proves that the apple sometimes does fall further from the tree, at least in some regards. It would be impossible to mistake either one's works for that of any of the others: too distinct are the individual idiosyncrasies – the swooping, late-Romantic phrases, the sober, experimental minimalism, and the jazzy groove. Nevertheless, they are all united by one commonality – aesthetic appeal seems to run in the family.

The outstanding vigor of flutist Sarah Waycott and pianist Yanna Zissiadou is on full display on ANIMO TWO, an arresting album of new music for the ANIMO flute and piano duo. The richness of musical color created here with two solo instruments is a mesmerizing testament to ANIMO's skill both as individual performers as well as their chemistry in dialogue. Zissiadou and Waycott truly have the Midas touch when it comes to commissioning new pieces for their rare setup, yielding an album that meanders between empathetic tenderness and unfettered exuberance. A delight.

On CENTER CHAMBER, wind, string, and keyboard instrumentalists come together to perform a collection of original and intimate compositions that include the saxophone — particularly Paul Cohen’s conn-o-sax, a rare and long forgotten instrument given new life in contemporary works. The conn-o-sax brings a dark, contemplative quality and infuses a unique tonal and musical spirit to these often lively, brooding, and captivating works. The engaging and brilliant intimacy of the playing eloquently reveals the unique emotional and musical bonds that tie together these exceptional artists. Listeners will undoubtedly agree: CENTER CHAMBER offers a listening experience as special and engaging as the instrument it features.