Catalog

Paul Cohen and The New Hudson Saxophone Quartet return to Ravello Records with NEW YORK RISING. Showcasing their well-blended sound and ability to turn on a stylistic dime, the ensemble navigates works by several American composers, from the title track’s evocations of a young man’s excitement, curiosity, and determination in the Big Apple to arrangements of Aaron Copland’s Suite from Our Town and Simple Gifts, and more. The ensemble is joined by guest artists Christopher Brellochs and Ulrich Krieger, both alto saxophonists, throughout the program.

On saxophonist Paul Cohen’s COMMON GROUND, one can embrace the unbroken musical traditions that have defined our musical selves, and in doing so, find a contemporary relevance that is both compelling and insightful. These are magnificent compositions, yet they are rarely heard. The range of expression and emotional direction is astonishing and almost visceral. Each of the works follows a unique path; from the kaleidoscopic Ivesian treatment of American folk tunes in Hymn Variations, to the vibrant, ecstatic joy of Quartet to an Outdoor Festival, to the lush, deceptive and nostalgic Trillium Suite, and finally the introspective interlude of Terpsichord framed by outer movements of pungent rhythmic vitality. COMMON GROUND celebrates not only the expressive inclusiveness of these diverse works, but also the common ground achieved with such varied sets of instruments. All compositions on COMMON GROUND are scored for winds, strings, and piano, and all include the saxophone. The soprano saxophone is scored in Quartet to an Outdoor Festival, Hymn Variations, and Trillium Suite, while the alto saxophone is scored in Terpsichord. In these settings, the saxophone uniquely enhances the color, texture, and dynamic resources of the ensemble, while still retaining the necessary subtlety of ensemble equality. It is common ground for composers, performers, and listeners alike.

Saxophonist Paul Cohen’s AMERICAN LANDSCAPES presents three centuries of original American Music for Saxophone, from Caryl Florio's concerto (1879) for saxophone and orchestra, to 20th and 21st century works (saxophone and piano) by Alec Wilder, Steve Cohen, Percy Grainger, Richard Lane, and Elie Siegmeister. Cohen is joined by pianist Allison Brewster Franzetti and the Oberlin Chamber Orchestra in this Ravello Records release.

Contemporary music is often difficult to access, both for audiences and performing musicians, and doubly so if it involves unorthodox musical setups. Paul Cohen, leader of the TTF Saxophone Quartet, is here to challenge this conundrum. DANCES AND DECLAMATIONS compiles a treasure trove of saxophone quartets that are a pleasure to play — and to experience. This eclectic collection includes modern, minimalist constructions, Brucknerian soundscapes, waltzes, fugues, and not least Cohen's own arrangements of Renaissance dances. Each of the pieces on DANCES AND DECLAMATIONS are imbued with genuine cheer, liveliness, and appeal. It's music that speaks to the mind, yes, but even more importantly, puts a spring in your step.

Indianapolis saxophonist Cecily Terhune dives headfirst into an exploration of heroism on her genre-defying debut album BOON BESTOWED. Harnessing the principles laid out in Joseph Campbell's seminal theory of mythology, Terhune creates a captivating, musical microcosm in which the listener is invited to take center stage as the audacious protagonist. The theory goes as follows: Most myths in human history have an archetypal heroine/hero who answers a call to journey through a supernatural world. After undergoing a transformation of strength and character, the heroine returns equipped with material and/or incorporeal boons to bestow upon her community. Marveling at the highly diverse and exquisite mastery of the saxophone on BOON BESTOWED, one is apt to wonder what supernatural landscapes Terhune might have traversed herself.

Saxophonist Jeffrey Siegfried explores new possibilities for his instrument's dynamic and versatile voice on SHADES from Ravello Records. The title work, Shades, composed by Sean Friar, is a dark and capricious piece, pairing bursts of musical complexity with unsettling stillness. The album also includes Candlewood by Gala Flagello and water-witching by Nicholas Cline, and and Homage to C.P. by Joan Arnau Pàmies, all of which were composed specifically for Siegfried.. The works are inspired by the natural and supernatural worlds; Siegfried aims to express the ineffable through saxophone techniques like multiphonics, which require careful control of the embouchure, fingering, and air-pressure. The resulting music is hauntingly beautiful and deeply compelling.

On ROOT, classical saxophonist and music theorist Jessica Dodge-Overstreet harnesses the ethereal, almost-vocal timbre of the soprano saxophone. Accompanied only by pianist Wan-Ting Yu, Dodge-Overstreet performs music written by a culturally-diverse cast of female composers including Ika Peyron, Germaine Tailleferre, Dora Pejačević, and Teresa Milanollo. From the technically demanding Sonate Slave, with its stratospheric leaps high into the instrument’s uppermost register, to the playful Variations Humouristiques sur l’air de Marlborough for violin and piano which sets the popular folk tune Bear Went Over the Mountain, Dodge-Overstreet brings this versatile and too-often overlooked instrument into the limelight.

While it isn't entirely unusual for musicians to raise musical children, it is fairly rare for a composer to have not one, but two sons who also compose. This is the case for composition professor Alan Schmitz, who, together with his sons Christopher and Eric, presents of ACE COMPOSERS II, a curated selection of contemporary chamber music which proves that the apple sometimes does fall further from the tree, at least in some regards. It would be impossible to mistake either one's works for that of any of the others: too distinct are the individual idiosyncrasies – the swooping, late-Romantic phrases, the sober, experimental minimalism, and the jazzy groove. Nevertheless, they are all united by one commonality – aesthetic appeal seems to run in the family.

On CENTER CHAMBER, wind, string, and keyboard instrumentalists come together to perform a collection of original and intimate compositions that include the saxophone — particularly Paul Cohen’s conn-o-sax, a rare and long forgotten instrument given new life in contemporary works. The conn-o-sax brings a dark, contemplative quality and infuses a unique tonal and musical spirit to these often lively, brooding, and captivating works. The engaging and brilliant intimacy of the playing eloquently reveals the unique emotional and musical bonds that tie together these exceptional artists. Listeners will undoubtedly agree: CENTER CHAMBER offers a listening experience as special and engaging as the instrument it features.

There are a number of established, conservative duo setups in Western music; but DRAX isn't one of them, and doesn't want to be. The saxophone-percussion duo, consisting of saxophonist Leo Saguiguit and percussionist Megan Arns, may be firmly rooted in contemporary American academia, but their music is one thing first and foremost: positively rebellious.

James Dashow's SOUNDINGS IN PURE DURATION VOL 2 offers listeners a unique audiophile experience. The album of Dashow’s music for electronic sounds and instrumental soloists includes the last four works in the Soundings in Pure Duration series as well as the re-release of his Bourges Magisterium prizewinning work ...at other times, the distances. The album is available on DVD, giving listeners access to surround-sound (5.0) mixdowns of the pieces as well as composer-prepared stereo mixdowns that have been spatially enhanced to approximate a wider audio field. According to Dashow, this presentation of his octophonic and quadraphonic electronic music is second only to a live concert performance in terms of realizing his artistic vision for the music.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

With a potent timbre and powerful volume, the saxophone is an instrument that demands respect. Nicki Roman—saxophonist with the award-winning Fuego Quartet—is deftly able to wrest control of the mighty woodwind, making the most of its range and tone. On Ravello Records’ UNQUIET WATERS, Roman takes listeners on a tour of the saxophone’s capabilities, from Leonard Bernstein’s jazzy syncopated rhythms to lyrical wedding marches, to complex works free of barlines. Each piece is different from the last, showcasing not only the breadth and potential of saxophone repertoire, but Roman’s own virtuosity and technique as a performer. Roman is accompanied by longtime collaborator and pianist Casey Dierlam Tse, another herald of new music who plays in lockstep to enrich the saxophone’s tone.

Composer and guitarist Jonathan Badger presents his newest album, PIANO QUARTETS, on Ravello Records. This EP of works for piano and saxophone trio is the artist’s first leap into the classical music world; his earlier albums have included an eclectic mix of musical styles ranging from post-rock to neo-baroque chamber music.

Jeff Morris presents his fourth Ravello Records release, this one focusing on woodwinds and employing his characteristic live sampling and electronics. CLOSE REEDING is the latest since HEARING VOICES, an album which set its sights on the most fundamentally-human musical instrument: the human voice. Now, Morris turns his attention to woodwind instruments, which he terms the “next most human” family of instruments. By way of digital manipulation and live improvisation, Morris gives this thesis a convincing exposition.

"I had inquired with a few friends a few months earlier to attempt to take advantage of the stop by setting up a performance opportunity for myself. I learned that there was a great house-concert situation at "Tom's Place" in Berkeley, and was able to secure a date. I was also very lucky to be able to contact and enlist the wonderful keyboardist Eric Glick Rieman, who works often with prepared keyboards. I had some familiarity with his work through my years of hosting the weekly radio program of "creative instrumental music" called The New Edge, on WMBR in Cambridge, MA. A few musicians were suggested to round out the trio, and we were fortunate to end up with fantastically creative percussionist and gong player Karen Stackpole."

From the opening notes to the last few seconds of the album, the fullness of the experience in SPRING SHADOWS is impossible to deny. Like emerging from the dark, the way the album hits the listener feels fresh and rejuvenating.

On Ravello Records, London composer and saxophonist Sophya Polevaya offers ELECTRIC SCENT, a series of 19 instrumental meditations on the mythic power of flowers and perfumery.

The 15 tracks on Thad Anderson’s LINES & SPACES are from his Lines series, based on his compositional technique called “duration lines” that create both structure and polyrhythmic interest. Anderson integrates traditional instruments with fixed media, live processing, and tuned metals to create pieces that are infinitely malleable.

The Fuego Quartet, featuring saxophonists Nicki Roman, Erik Elmgren, Harrison Clarke, and Gabriel Piqué, makes their Ravello Records debut with the innovative MIGRATION, a collection that demonstrates the versatility and complexity of the saxophone as it migrates through genre boundaries.