Catalog

Douglas Anderson's music may follow a guiding thread of atonality, but since the New York native's tastes are eclectic, so are his works. MUSIC IN DIVERSE STYLES is a showcase of Anderson's genre-busting creativity, a deep exploration of musical paradigms. As the album cycles through different chamber setups from duo to septet, Anderson presents his evolving, idiosyncratic serialism through the prism of heterogeneous genres including bluegrass and rock. Most impressive, perhaps, is the consistency in quality, despite the works spanning four decades. As a composer, Anderson has woven quite the tapestry in this Ravello Records release.

On saxophonist Paul Cohen’s COMMON GROUND, one can embrace the unbroken musical traditions that have defined our musical selves, and in doing so, find a contemporary relevance that is both compelling and insightful. These are magnificent compositions, yet they are rarely heard. The range of expression and emotional direction is astonishing and almost visceral. Each of the works follows a unique path; from the kaleidoscopic Ivesian treatment of American folk tunes in Hymn Variations, to the vibrant, ecstatic joy of Quartet to an Outdoor Festival, to the lush, deceptive and nostalgic Trillium Suite, and finally the introspective interlude of Terpsichord framed by outer movements of pungent rhythmic vitality. COMMON GROUND celebrates not only the expressive inclusiveness of these diverse works, but also the common ground achieved with such varied sets of instruments. All compositions on COMMON GROUND are scored for winds, strings, and piano, and all include the saxophone. The soprano saxophone is scored in Quartet to an Outdoor Festival, Hymn Variations, and Trillium Suite, while the alto saxophone is scored in Terpsichord. In these settings, the saxophone uniquely enhances the color, texture, and dynamic resources of the ensemble, while still retaining the necessary subtlety of ensemble equality. It is common ground for composers, performers, and listeners alike.

Saxophonist Paul Cohen’s AMERICAN LANDSCAPES presents three centuries of original American Music for Saxophone, from Caryl Florio's concerto (1879) for saxophone and orchestra, to 20th and 21st century works (saxophone and piano) by Alec Wilder, Steve Cohen, Percy Grainger, Richard Lane, and Elie Siegmeister. Cohen is joined by pianist Allison Brewster Franzetti and the Oberlin Chamber Orchestra in this Ravello Records release.

Korean-born Hee Yun Kim returns with a compelling selection of works that reflect her unwavering curiosity about social justice, Eastern philosophy, and transformative change at large on VOYAGE WITHIN. This Navona Records release is first and foremost a journey into the self, and only second a musical exploration. Kim adeptly weaves her insights into profound and harmonious compositions, capturing the essence of her experiences and contemplations. The resulting music is both introspective and reflective, with a foresight and precision that’s almost scientific in nature.

On ROOT, classical saxophonist and music theorist Jessica Dodge-Overstreet harnesses the ethereal, almost-vocal timbre of the soprano saxophone. Accompanied only by pianist Wan-Ting Yu, Dodge-Overstreet performs music written by a culturally-diverse cast of female composers including Ika Peyron, Germaine Tailleferre, Dora Pejačević, and Teresa Milanollo. From the technically demanding Sonate Slave, with its stratospheric leaps high into the instrument’s uppermost register, to the playful Variations Humouristiques sur l’air de Marlborough for violin and piano which sets the popular folk tune Bear Went Over the Mountain, Dodge-Overstreet brings this versatile and too-often overlooked instrument into the limelight.

Whim Ensemble musically explores Dutch painter Piet Mondrian’s artistic abstractions of nature on TREES from Ravello Records. Employing the skills of prepared-piano player Ofer Pelz, percussionist Preston Beebe, and double-bassist Stéphane Diamantakiou, the ensemble combines their years of experience as composers and performers to unearth new textures and timbres for their instruments. The resulting album effuses influences of free jazz, contemporary experimental music, and more to foster a unique take on Mondrian’s creative process and influential artistic output.

Ravello Records is proud to present AMERICAN CARNAGE, an album of chamber music by composer Ken Walicki. Well traveled and well versed in an array of different genres, Walicki shares numerous personal experiences and influences in these pieces, from blissful moments of natural beauty to musical reflections on his formative years and beyond. Masterfully performed by members of the Los Angeles-based Divan Consort, AMERICAN CARNAGE offers exuberance and zest from start to finish, a satisfying and equally authentic listening experience.

While it isn't entirely unusual for musicians to raise musical children, it is fairly rare for a composer to have not one, but two sons who also compose. This is the case for composition professor Alan Schmitz, who, together with his sons Christopher and Eric, presents of ACE COMPOSERS II, a curated selection of contemporary chamber music which proves that the apple sometimes does fall further from the tree, at least in some regards. It would be impossible to mistake either one's works for that of any of the others: too distinct are the individual idiosyncrasies – the swooping, late-Romantic phrases, the sober, experimental minimalism, and the jazzy groove. Nevertheless, they are all united by one commonality – aesthetic appeal seems to run in the family.

INTERSECTIONS from the dynamic chamber group Khemia Ensemble invites listeners to meditate on the confluence of beginnings, endings, and the hope and grief that can accompany those events. With intersections of acoustic chamber music, electronics, and multi-genre influences, the album features a stinging commentary on microagressions (Sink’s Bite!), a tumultuous mother/daughter relationship (Freund’s Song of Persephone), a tender lullaby dedicated to his newborn son, rooted in a family ritual of planting a cottonwood tree (Benavides’ Little Cloud), an exploration of memory inspired by Yayoi Kusama’s infinity rooms (Biedenbender’s in a field of stars), and an assertion of identity through Bollywood melodies and American pop sensibilities (Shekhar’s Don’t Beat a Word). By showcasing commissioned music by five living composers, Khemia Ensemble demonstrates their commitment to reflecting broader perspectives in contemporary classical chamber music.

The outstanding vigor of flutist Sarah Waycott and pianist Yanna Zissiadou is on full display on ANIMO TWO, an arresting album of new music for the ANIMO flute and piano duo. The richness of musical color created here with two solo instruments is a mesmerizing testament to ANIMO's skill both as individual performers as well as their chemistry in dialogue. Zissiadou and Waycott truly have the Midas touch when it comes to commissioning new pieces for their rare setup, yielding an album that meanders between empathetic tenderness and unfettered exuberance. A delight.

The piano is the powerhouse of musical instruments: with its vast tonal range and its ability to simultaneously supply chords and melodies, it generally takes the dominating place in virtually any setup. So what happens if you compose and play music for two of these behemoths? Pianists Sang-Hie Lee and Martha Thomas answer this question on their aptly-titled new album GLOBE, TRAVEL, HOMELAND.

TWO WORLDS CALLED HOME is inspired by composer Caleb Vaughn-Jones’s nine-year journey as an American living abroad in South Africa. In 2011, Vaughn-Jones was a gifted cellist from Baltimore who felt a calling toward the unknown. He abandoned the traditional path of an American musician building a career and instead moved to Port Elizabeth, South Africa to teach music. In this album, Vaughn-Jones employs his skill as a cellist to express the joys and sacrifices he encountered on this incredible adventure. Ava’s Lullaby, for example, was written for his daughter when pandemic restrictions kept him from returning to the United States. Lakutshon' ilanga (The Sun Never Sets), on the other hand, is an isiXhosa song written by Mackay Davashe during the Apartheid era that describes the endless search for a lost love. Joined by pianist Hsin-I Huang, Vaughn-Jones invites listeners on an unforgettable journey.

Composer David Mastikosa’s ESCAPE is the work of an ambitious young composer whose skill belies his age. Born in 1992 in Bosnia and Herzegovina, Mastikosa is currently one of the most active contemporary classical music composers in his home country, and writes music for film and media. ESCAPE features works composed in a variety of styles and arrangements. Poslovice is a chamber piece inspired by old Serbian folk proverbs and suggests a hidden, tongue-in-cheek storyline. Detune was written specifically to encourage younger pianists to explore the vast soundscapes locked within the instrument. Trichord for Viola and Accordion is purposefully sparse; Mastikosa leaves free space for performers to exercise their own creativity. ESCAPE is both an artistic triumph in its own right and an early milestone in Mastikosa’s promising career.

10 emerging composers assemble and offer insight into our societal world through music on IN TANDEM from violinist Lucia Lin. Each work featured on this album represents a social cause close to its composer’s heart, commenting on inequality and breaking down barriers by building social awareness. Orchestrated in intimate duo settings, Lin’s virtuosic violin playing is complemented by a variety of selected string, percussion, piano, and vocal performers, each offering a fresh ingredient to a diverse and conversation-igniting program.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

SYNCHRONIES, James Dashow's second double album on Ravello Records, offers a selection of the composer's work for traditional instruments with and without electronic sounds. His approach to these two musical resources combines the intimacy and flexibility of beautifully designed chamber music with full scale sonorous constructions: some achieved by finely textured orchestrations of the classical instrumental ensemble, others by the symphonic use of rich electronic timbres that are characteristic of the composer's music. Dashow's unique sound is immediately recognizable, enhanced by his ground-breaking ideas on the spatialization of sound, where the location and movement of musical events in space are now fundamental elements of his compositional practice. The performers in these pieces are true virtuosi of contemporary art music; their artistry and subtle understanding of these works yield deeply expressive interpretations that resonate with both listeners and performers alike.

With a potent timbre and powerful volume, the saxophone is an instrument that demands respect. Nicki Roman—saxophonist with the award-winning Fuego Quartet—is deftly able to wrest control of the mighty woodwind, making the most of its range and tone. On Ravello Records’ UNQUIET WATERS, Roman takes listeners on a tour of the saxophone’s capabilities, from Leonard Bernstein’s jazzy syncopated rhythms to lyrical wedding marches, to complex works free of barlines. Each piece is different from the last, showcasing not only the breadth and potential of saxophone repertoire, but Roman’s own virtuosity and technique as a performer. Roman is accompanied by longtime collaborator and pianist Casey Dierlam Tse, another herald of new music who plays in lockstep to enrich the saxophone’s tone.

Peeling back the complex layers of Bill Whitley's ethereal ABSENT LIGHT, one is astounded to see how this music could at once be so serene, yet technically intricate.

Ravello Records proudly presents THE TRAVELLED ROAD from operatic composer Evan Mack. The album is a bold and progressive work featuring compositions that are thoroughly grounded in the modern era. A Little More Perfect sets the text of Justice Anthony Kennedy’s majority opinion on Obergefell v. Hodges, which made marriage equality the law of the land. Three Reflections of Sister Dorothy tells the story of martyred nun Sr. Dorothy Stang and her fight to save the rainforest. The Road and the End expresses the eponymous 1916 Carl Sandburg poem as a musical tour de force, performed by vocal powerhouse Megan Marino. Mack is a firm believer that opera should be theater grounded in climactic expression, delivering larger-than-life stories while harnessing the full athletic thrill of singing; THE TRAVELLED ROAD embodies this philosophy.

Legendary composer, author, and educator Herbert Deutsch presents his newest album, ENCOUNTERS: JAZZ, SONGS & CHAMBER MUSIC, on Ravello Records. The music, performed by the American Chamber Ensemble, is unflaggingly groundbreaking; Deutsch, who in 1964 collaborated on the development of the Moog Synthesizer and composed music for its first live performance, deepens his legacy of innovation with this latest collection.