William Jason Raynovich uses (or rather abuses) computers to create musical repetition out of the idiosyncrasies of physical performances. With the open-source visual programming language, Pure Data, he creates interactive compositions with new notational systems and explores self-similarity systems with live audio processing. He is constructing a series of unconventional instruments to accompany these algorithmic compositions. The works in this series include tre’ for voice, instruments, and computer,and his cello solo piece, now for cello and computer.
The program presented on MIND & MACHINE, VOLUME FIVE is partially supported by a grant from the Illinois Arts Council Agency.
Albums
Mind & Machine, Volume Five
Catalog Number: RR8091