Sarah Belle Reid

Sarah Belle Reid is a performer-composer who plays trumpet, modular synthesizer, and an ever-growing collection of handcrafted electroacoustic instruments. Her unique musical voice explores the intersections between contemporary classical music, experimental and interactive electronics, sound installation, visual arts, noise music, and improvisation. Often praised for her ability to transport audience members through vivid sonic adventures, Reid’s sonic palette has been described as ranging from “graceful” and “danceable” all the way to “silk-falling-through-space,” and “pit-full-of-centipedes” (San Francisco Classical Voice). When watching Reid perform live, one quickly notices that her trumpet is also unusual—the blinking lights and colorful wires attached to her horn are part of an electronic sensor-based interface she co-designed, called MIGSI (Minimally Invasive Gesture Sensing Interface). Reid was inspired to build MIGSI as a way of integrating her passion for technology, trumpet, and improvisation. She frequently performs, leads workshops, and lectures at notable festivals, institutions, and conferences around the world, such as Moogfest, Stanford University, California Institute of the Arts, and the International Conference of New Interfaces for Musical Expression (NIME), among others.

Albums

Nows

Release Date: September 9, 2022
Catalog Number: RR8072
21st Century
Avant-Garde
Electroacoustic
Electronic
NOWS from David Rosenboom and Sarah Belle Reid is a captivating expression of the radical challenges brought on by the COVID-19 pandemic. The music examines the notion of “co-presence,” or togetherness, when experienced in isolation. This seemingly self-contradictory concept became an everyday occurrence as in-person gatherings became video conferences. Performer-composers Reid and Rosenboom spent this time passing fragmented musical ideas back and forth. In this organic way, a collection of “sound correspondences” accumulated between the two artists, made with instruments ranging from strings and horns to modular synthesizers, analog signal processors, urban and desert soundscapes, and much more. The resulting album, NOWS, is a post-genre masterpiece that speaks to our unique moment in history.